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초록· 키워드
오류제보하기
The most prominent aspect of Nabokov's first novel, Mashen'ka, which is strongly characterized by the art of memory, is that it abounds with such a wide variety of sensual images as sounds, smells, and visuals.
Recently, one critic has paid a close critical attention to the profound semantic resonance of auditory and olfactory images widespread throughout the novel and its narrative of memory as well. She insists that auditory and olfactory images in the novel play pivotal roles in connecting the narrative of memory to the novel and integrating them into an organic unity of meanings.
However, it is surprising that she has paid little attention to the profound significance of visual images that are important as much as sounds and smells in the novel. And it is true of the various approaches that have explored Nabokov other prose works full of visual images.
Indeed, Mashen'ka contains such a number of visual images as photographs and pictures, mirrors and windows, cinema screens, etc, which are closely associated with seeing or viewing.
Moreover, to the extent that the hero's process of remembering proper is not unlike "the visualization of the past" or "the visual representation of the world", visual images strongly characterize the narrative aesthetics of the novel. At the same time, they play an essential role in establishing its thematic structure, too.
On the other hand, the novel is deeply marked by various ways of seeing and being seeing which reminds us of what Mikhail Bakhtin has called "the excesses of seeing."
More significantly, many important meanings for understanding the novel are generated from the aesthetic distance and semantic tension between seeing and being seen.
In this paper, thus, I attempted to illuminate the resonant significance of visual images and effects that have not been closely investigated in the existent critical approaches to Nabokov's first novel Mashen'ka, focusing on the double structure of reflection and gaze firmly established on its deeper level.
Recently, one critic has paid a close critical attention to the profound semantic resonance of auditory and olfactory images widespread throughout the novel and its narrative of memory as well. She insists that auditory and olfactory images in the novel play pivotal roles in connecting the narrative of memory to the novel and integrating them into an organic unity of meanings.
However, it is surprising that she has paid little attention to the profound significance of visual images that are important as much as sounds and smells in the novel. And it is true of the various approaches that have explored Nabokov other prose works full of visual images.
Indeed, Mashen'ka contains such a number of visual images as photographs and pictures, mirrors and windows, cinema screens, etc, which are closely associated with seeing or viewing.
Moreover, to the extent that the hero's process of remembering proper is not unlike "the visualization of the past" or "the visual representation of the world", visual images strongly characterize the narrative aesthetics of the novel. At the same time, they play an essential role in establishing its thematic structure, too.
On the other hand, the novel is deeply marked by various ways of seeing and being seeing which reminds us of what Mikhail Bakhtin has called "the excesses of seeing."
More significantly, many important meanings for understanding the novel are generated from the aesthetic distance and semantic tension between seeing and being seen.
In this paper, thus, I attempted to illuminate the resonant significance of visual images and effects that have not been closely investigated in the existent critical approaches to Nabokov's first novel Mashen'ka, focusing on the double structure of reflection and gaze firmly established on its deeper level.
목차
Ⅰ. 서론
Ⅱ. 반영의 구조: 어둠에서 빛으로
Ⅲ. 응시의 구조: ‘봄’과 ‘보여짐’사이
Ⅳ. 결론
참고문헌
Abstract
참고문헌 (24)
참고문헌 신청
[학술지(정기간행물)] - Averin, / 2003 / Dar mnemoziny: Romany Nabokova v kontekste russkoi avtobiograficheskoi traditsii
[학술지(정기간행물)] - Bader / 1973 / Artifice in Nobokov's English Novels University of California Press
[학술지(정기간행물)] - Bourdieu, / 1998 / La Domination Masculine
[학술지(정기간행물)] - Boyd, Brian / 2000 / Nabokov's Butterflies.
[학술지(정기간행물)] - Buks, / 1996 / Zvuki i zapakhi: o romane V. Nabokova Mashen'ka 17 ( ) : 296 ~ 317
[학술지(정기간행물)] - Bader / 1973 / Artifice in Nobokov's English Novels University of California Press
[학술지(정기간행물)] - Bourdieu, / 1998 / La Domination Masculine
[학술지(정기간행물)] - Boyd, Brian / 2000 / Nabokov's Butterflies.
[학술지(정기간행물)] - Buks, / 1996 / Zvuki i zapakhi: o romane V. Nabokova Mashen'ka 17 ( ) : 296 ~ 317
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UCI(KEPA) : I410-ECN-0101-2009-892-014915969