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As registration of Koguryo tombs with wall-paintings as World Heritage is being expected, techniques of wall-painting of those tombs were examined and analyzed scientifically. Materials of study were small pieces of wall-painting from Hahaebang area Tomb No. 31(下解放地區 第31號墳, JXM031) in JiAn(集安). Materialistic features of lime used on the wall, method of making lime mortar, and technique of pasting lime on the wall were studied. Composition of vegetable materials added to the lime mortar such as chopped hay, and of paint were also examined.
Methods used in this study are as following: First, the wall-sample was examined with naked eyes. Then selecting a proper part, a thin section was made and examined through a microscope. And all the layers of lime wall were analyzed qualitatively and quantitatively by means of XRD and SEM-EDS. Presence of added materials were examined after the sample was melted in diluted hydrochloric acid solution. Colour was measured by a chromameter. Paint was also analyzed qualitatively by means of XRF. Solidity of the sample were also measured.
The results are:
1. Koguryo men, who had superb lime-processing technique, are estimated to have used purer slaked lime instead of quick lime.
2. They pasted three layers(rendering, arriccio, intonaco) of slaked lime mortar on the wall of tomb
3. Different materials such as clay, sand, chopped hay etc. were added into the slaked lime mortar so that they might be fitting to each layer.
4. Lime mortar for rendering was mixed with clay, lime mortar for arriccio mixed with chopped hay and sand, and the mortar for intonaco was made of only pure lime.
5. This three-layer lime wall appears commonly in Hahaebang area Tomb No. 31 and Ssangnyeongchong(雙楹塚) which are 5th century tombs, but these three layers changed into one layer in 7th century. So we see one-layer lime wall in the tombs of Silla area and Japan.
Major point of this study was to find out how lime was processed in tomb lime walls, but the results could not go beyond estimation It is also regrettable that we could not clarify plainly the characters of various adding materials mixed with lime mortar. Making technique of wall-painting of Koguryo tombs needs more studies.
Methods used in this study are as following: First, the wall-sample was examined with naked eyes. Then selecting a proper part, a thin section was made and examined through a microscope. And all the layers of lime wall were analyzed qualitatively and quantitatively by means of XRD and SEM-EDS. Presence of added materials were examined after the sample was melted in diluted hydrochloric acid solution. Colour was measured by a chromameter. Paint was also analyzed qualitatively by means of XRF. Solidity of the sample were also measured.
The results are:
1. Koguryo men, who had superb lime-processing technique, are estimated to have used purer slaked lime instead of quick lime.
2. They pasted three layers(rendering, arriccio, intonaco) of slaked lime mortar on the wall of tomb
3. Different materials such as clay, sand, chopped hay etc. were added into the slaked lime mortar so that they might be fitting to each layer.
4. Lime mortar for rendering was mixed with clay, lime mortar for arriccio mixed with chopped hay and sand, and the mortar for intonaco was made of only pure lime.
5. This three-layer lime wall appears commonly in Hahaebang area Tomb No. 31 and Ssangnyeongchong(雙楹塚) which are 5th century tombs, but these three layers changed into one layer in 7th century. So we see one-layer lime wall in the tombs of Silla area and Japan.
Major point of this study was to find out how lime was processed in tomb lime walls, but the results could not go beyond estimation It is also regrettable that we could not clarify plainly the characters of various adding materials mixed with lime mortar. Making technique of wall-painting of Koguryo tombs needs more studies.
#고분벽화
#제작기법
#회벽
#석회
#강회
#소석회
#여물
#모래
#초벌층
#바탕층
#마감층
#하해방지구 제31호분(JXM031)
#쌍영총
#통구 제12호분(JYM1894)
#순흥 읍내리 벽화고분
#高松塚
#Koguryo
#Tomb of Wall-painting
#Lime wall
#Quick lime(CaO)
#Slaked lime(Ca(OH)₂)
#lime mortar
#adding materials
#Sand
#Ground Wall
#Rendering
#arriccio
#intonaco
#Hahaebang area Tomb No. 31 Ssangnyeongchong
#Tonggu tomb No.12
#Soonheung tomb with wall-painting(順興邑內里壁畵古墳)
#Takamatsuzuka Tumulus(高松塚)
목차
Ⅰ. 머리말
Ⅱ. 연구목적 및 방법
Ⅲ. 벽화편의 상태
Ⅳ. 조사내용 및 결과
Ⅴ. 석회벽 제작기법 고찰
Ⅵ. 회벽 제작기술의 변천
Ⅶ. 맺음말
〈Abstract〉
「高句麗 高墳壁畵의 製作技法 硏究」討論文
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