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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This study is about the Koguryo woman's role and position which look into the Koguryo mural tomb during 4 and 5 centuries.
My explanation about the Koguryo woman's role and position can be summarizied as below.
1. At that time, weaving-woman's role was important not only weaving cloth but also politics, economy, diplomacy, cultual, religion and art.
2. Food-life painting is well, mill, kitchen, meat-storeroom and grain-ware house. These were painted at east wall. Food-life was taking charge of woman. So I knew that the east position was the woman's space relatively at that time.
3. There is many picture which the room was decorated with cloth. This cloth-room was made and dressed by women. The house of a son-in-lew was built at the side of bride's house. So, Koguryo woman was central role in dwelling life.
4. The paint of military parade, hunting event, festival event had political meanings. And mere were painted with man and wife. Although limitedly this is reflecting the Koguryo woman's political role too.
5. The grain-ware house which is painted at east wall was in managed with woman.
6. Koguryo woman recepted new religion positively. The murals which contents religious meaning are showing mat Pyung-yang area was authority atmosphere and Ji-an area was free.
7. Woman's position look into me size of man and wife. And look into me position of right and left. Generally this result show me that Ji-an area was equal. But Pyung-yang area was low than man.
My explanation about the Koguryo woman's role and position can be summarizied as below.
1. At that time, weaving-woman's role was important not only weaving cloth but also politics, economy, diplomacy, cultual, religion and art.
2. Food-life painting is well, mill, kitchen, meat-storeroom and grain-ware house. These were painted at east wall. Food-life was taking charge of woman. So I knew that the east position was the woman's space relatively at that time.
3. There is many picture which the room was decorated with cloth. This cloth-room was made and dressed by women. The house of a son-in-lew was built at the side of bride's house. So, Koguryo woman was central role in dwelling life.
4. The paint of military parade, hunting event, festival event had political meanings. And mere were painted with man and wife. Although limitedly this is reflecting the Koguryo woman's political role too.
5. The grain-ware house which is painted at east wall was in managed with woman.
6. Koguryo woman recepted new religion positively. The murals which contents religious meaning are showing mat Pyung-yang area was authority atmosphere and Ji-an area was free.
7. Woman's position look into me size of man and wife. And look into me position of right and left. Generally this result show me that Ji-an area was equal. But Pyung-yang area was low than man.
목차
Ⅰ. 머리말
Ⅱ. 여성의 역할
Ⅲ. 여성의 지위
Ⅳ. 맺음말
〈Abstract〉
「壁畵를 통해서 본 高句麗 女性의 役割과 地位」討論文
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UCI(KEPA) : I410-ECN-0101-2009-911-019477013