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초록· 키워드
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The poet Gim hyung-seung's poetry begins with the meeting with Gael. By going through the process of doubt and despair of God, it finally ends with perfection of suffering which comes from finding and confirming being of destiny's solitary sorrow.
In this article, the changes of his poetic world are divided into four periods. Especially "God and the existence" revealed in 2nd period, "the world of absolute solitude" in 3rd period and "aspect of unconditioned conversion" in 4th period are considered.
It may be summarized as follows.
At first, poet's main interests of the 2nd period are humans delineation of feeling (lyricism) based on faith. Using tranquil prayers, he watches limpidly but intently his faith and solitude of existence.
Second, in the 3rd period poems, he moves his interests from God to human being and settle himself in strong and firm solitude. With the poem 『Subject』, he leaves his lyrical world, doubts God and immerses himself in willing solitude.
Third, in the 4th period poems, owing to conscience based in his life and unique experience, he free himself from absolute solitude and returns to native place of faith.
The basis of his own faith awareness, his poetic words acquire special features. The words place high values on fruit than flower and hold tears and sorrow in high esteem rather than laugh and joy.
He reveals dawn and ill-fated time as transcendental and soaring time. He use images of 'ash' which is left after aJI thing is burnt, and 'black' which absorb all light as 'expiation, harmony'. A crow is the soul symbol in his poem. Considering these expressions, we can find his poetic spirit which reflect his fierce try to embody anguish of ambivalent emotion.
Whatever his situations are, even when he sings transparent emotion of prayer or falls into willing solitude, faith awareness penetrates his poems. He is the poet who constantly sings conflict and reflection accompanied with his faith.
In this article, the changes of his poetic world are divided into four periods. Especially "God and the existence" revealed in 2nd period, "the world of absolute solitude" in 3rd period and "aspect of unconditioned conversion" in 4th period are considered.
It may be summarized as follows.
At first, poet's main interests of the 2nd period are humans delineation of feeling (lyricism) based on faith. Using tranquil prayers, he watches limpidly but intently his faith and solitude of existence.
Second, in the 3rd period poems, he moves his interests from God to human being and settle himself in strong and firm solitude. With the poem 『Subject』, he leaves his lyrical world, doubts God and immerses himself in willing solitude.
Third, in the 4th period poems, owing to conscience based in his life and unique experience, he free himself from absolute solitude and returns to native place of faith.
The basis of his own faith awareness, his poetic words acquire special features. The words place high values on fruit than flower and hold tears and sorrow in high esteem rather than laugh and joy.
He reveals dawn and ill-fated time as transcendental and soaring time. He use images of 'ash' which is left after aJI thing is burnt, and 'black' which absorb all light as 'expiation, harmony'. A crow is the soul symbol in his poem. Considering these expressions, we can find his poetic spirit which reflect his fierce try to embody anguish of ambivalent emotion.
Whatever his situations are, even when he sings transparent emotion of prayer or falls into willing solitude, faith awareness penetrates his poems. He is the poet who constantly sings conflict and reflection accompanied with his faith.
목차
Ⅰ. 서론
Ⅱ. 생애와 신앙
Ⅲ. 사색과 성찰의 신앙시
Ⅳ. 견고한 고독과 절대고독의 시
Ⅴ. 양심과 신앙회복의 시
Ⅵ. 관념의 시어와 이미지
Ⅶ. 결론
참고문헌
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