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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2009.8
- 수록면
- 159 - 184 (26page)
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Charlotte Smith's Elegiac Sonnets, one of the most influential collections of sonnets in the late eighteenth century, initiated the sonnet revival and re-shaped the poetic form. Traditionally, the sonnet form had been exclusively employed by elite male poets, and the female in this genre had been assigned a largely passive position. As is evident in the examples such as Laura, Petrarch's ideal lover, the female image in the sonnet had been far from a realistic one, denying women a proper identity. Resisting this tradition, Smith recreated a female image within the textual space of sonnets and succeeded in establishing “the sonnet claim” in a feminine voice.
Smith's translation of Petrarchan sonnets is significant in that it reveals the process by which she overcomes the male-dominant tendency of the sonnet and discovers a woman's identity. Whereas Petrarch tends to present the idealistic image of an objectified woman, Smith aims at a self-presentation in a highly specific and realistic manner. In her sonnets, the poetess emerges as a “gentlewoman” who suffers from material deprivation, and her painful circumstances, in turn, lead the reader to rescue the female in distress, specifically by the act of purchasing a copy of her poetic collection.
Smith also authors several sonnets in the voice of Werther, the famous tragic hero in Goethe's novel. These sonnets display a highly sentimental tendency, revolving around self-pity and an extreme sense of isolation. In contrast, Smith's sonnets in her own voice distance themselves from Werther's overt sentimentalism; instead, she elevates her own woe and grief to the position of universal human sufferings. Smith also seeks sympathetic identification with the reader, suggesting that the solidarity with other humans is the only way of securing comfort in her distressed situation.
Smith's translation of Petrarchan sonnets is significant in that it reveals the process by which she overcomes the male-dominant tendency of the sonnet and discovers a woman's identity. Whereas Petrarch tends to present the idealistic image of an objectified woman, Smith aims at a self-presentation in a highly specific and realistic manner. In her sonnets, the poetess emerges as a “gentlewoman” who suffers from material deprivation, and her painful circumstances, in turn, lead the reader to rescue the female in distress, specifically by the act of purchasing a copy of her poetic collection.
Smith also authors several sonnets in the voice of Werther, the famous tragic hero in Goethe's novel. These sonnets display a highly sentimental tendency, revolving around self-pity and an extreme sense of isolation. In contrast, Smith's sonnets in her own voice distance themselves from Werther's overt sentimentalism; instead, she elevates her own woe and grief to the position of universal human sufferings. Smith also seeks sympathetic identification with the reader, suggesting that the solidarity with other humans is the only way of securing comfort in her distressed situation.
목차
Ⅰ. 들어가는 말
Ⅱ. 페트라르크의 남성적 목소리를 넘어서
Ⅲ. 베르테르의 감상적 목소리를 넘어서
Ⅳ. 나가는 말
인용 문헌
Abstract
참고문헌 (19)
참고문헌 신청
1. [단행본] - Andrews, Kerri / 2008 / “‘Herself... Fills the Foreground’: Negotiating Autobiography in the Elegiac Sonnets and the Emigrants in: Charlotte Smith in British Romanticism / Pickering & Chatto : 13 ~ 28
2. [단행본] - Backscheider, Paula R. / 2005 / Eighteenth-Century Women Poets and Their Poetry: Inventing Agency, Inventing Genre / Johns Hopkins UP
3. [학술지(정기간행물)] - Crawford, Rachel / 1999 / Troping the Subjects: Behn, Smith, Hemans, and the Poetics of the Bower / Studies in Romanticism 38 : 249 ~ 279
4. [학술지(정기간행물)] - Curran, Stuart / 1994 / Charlotte Smith and British Romanticism / South Central Review 11 : 66 ~ 78
5. [단행본] - Curran, Stuart / 1986 / Poetic Form and British Romanticism / Oxford UP
2. [단행본] - Backscheider, Paula R. / 2005 / Eighteenth-Century Women Poets and Their Poetry: Inventing Agency, Inventing Genre / Johns Hopkins UP
3. [학술지(정기간행물)] - Crawford, Rachel / 1999 / Troping the Subjects: Behn, Smith, Hemans, and the Poetics of the Bower / Studies in Romanticism 38 : 249 ~ 279
4. [학술지(정기간행물)] - Curran, Stuart / 1994 / Charlotte Smith and British Romanticism / South Central Review 11 : 66 ~ 78
5. [단행본] - Curran, Stuart / 1986 / Poetic Form and British Romanticism / Oxford UP
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UCI(KEPA) : I410-ECN-0101-2009-840-018819682