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The sixteenth century's novels have not get much attention in the history of classical novels. They remained as vacuum in the history of novels or played a bridge role connecting the novels of fifteenth century and those of seventeenth century. However, the place of novels of sixteenth century in the history of classical novels are getting more and more important through recent discovered and introduced materials. It is required to study the phase of the history of the narrative literature in the sixteenth century and its aesthetic characteristics in order to cope with this situation positively.
This study pointed out some perspectives briefly that we should keep in mind when we comprehend the phases of the history of narratives in the sixteenth century. First, various inclinations of the history of narratives in the early Joseon period ; second, the worldview of confucian scholars in the early Joseon period and the complexity of literary aesthetics and third, the new role and the place of narrative genre. We should bear in mind the actual condition of the narrative history of intertwinement and division of genres such as Pilgi(筆記), Peseol(稗說) and Jigwe(志怪), Jeongi(傳奇) as well as complicated aspects of literary aesthetics among confucian scholars and seemingly contradictory but combined phase of narrative interest and ideological instruction.
With the above basic understanding this article examined the aesthetic qualities being cultivated in the narrative history of the sixteenth century by major types. The first type is human narratives, the second type is Jeongi novels and the third type is narrative allegory. This article focused on the most important works among them such as Seolgongchan Story(薛公燦傅), Gijegiyi(企齋記異), and Wonseng Mongyurok(元生夢遊錄). The following characteristics are identified : the aesthetic characteristics of human narratives of the reality of Pilgi, Peseol genres and fictional inclination of Jigwe, Jeongi genres; the aesthetic qualities of Jeongi novels which succeeded and varied the existing Jeongi novels' narrative grammar, characters and episodes in a various way; the aesthetic characteristics of narrative allegory that publicized confucian scholars' strong desires in the form of fables. This discussion is expected to suggest useful clues to elucidate the process of division of novel genres from premodern narrative literature, diverse strata of confucian scholars' literature in the early Joseon period, and the entire history of the seventeenth century's novels that opened the era of novels.
This study pointed out some perspectives briefly that we should keep in mind when we comprehend the phases of the history of narratives in the sixteenth century. First, various inclinations of the history of narratives in the early Joseon period ; second, the worldview of confucian scholars in the early Joseon period and the complexity of literary aesthetics and third, the new role and the place of narrative genre. We should bear in mind the actual condition of the narrative history of intertwinement and division of genres such as Pilgi(筆記), Peseol(稗說) and Jigwe(志怪), Jeongi(傳奇) as well as complicated aspects of literary aesthetics among confucian scholars and seemingly contradictory but combined phase of narrative interest and ideological instruction.
With the above basic understanding this article examined the aesthetic qualities being cultivated in the narrative history of the sixteenth century by major types. The first type is human narratives, the second type is Jeongi novels and the third type is narrative allegory. This article focused on the most important works among them such as Seolgongchan Story(薛公燦傅), Gijegiyi(企齋記異), and Wonseng Mongyurok(元生夢遊錄). The following characteristics are identified : the aesthetic characteristics of human narratives of the reality of Pilgi, Peseol genres and fictional inclination of Jigwe, Jeongi genres; the aesthetic qualities of Jeongi novels which succeeded and varied the existing Jeongi novels' narrative grammar, characters and episodes in a various way; the aesthetic characteristics of narrative allegory that publicized confucian scholars' strong desires in the form of fables. This discussion is expected to suggest useful clues to elucidate the process of division of novel genres from premodern narrative literature, diverse strata of confucian scholars' literature in the early Joseon period, and the entire history of the seventeenth century's novels that opened the era of novels.
목차
1. 머리말
2. 16세기 서사문학사의 지평을 읽는 시각
3. 16세기 서사문학의 유형과 그 미학적 층위
4. 맺음말
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Abstract
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UCI(KEPA) : I410-ECN-0101-2010-905-001906424