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Having various urban images as such 'Paris of the East', 'London of the East', 'New York of the West', etc. Shanghai had yet become one of the six big cities of the world with its population amounting to over three million. This article aims to search for the reason for why Chinese prefered to call it 'Paris of the East'. The rapid development of Shanghai as the typcal big city of modern China was connected profoundly to its particular urban spaces of Shanghai International Settlement and the French Concession. Among others, the image of 'Paris of the East' had been made up by its intellectuals-citizens who pursued for the French culture and distinctive space trait of the French Concession.
We examined how the French Concession had been constructed and Shanghai's urban images had been made up focusing on "Xujiahui parish" defined mainly by edge-Yangjinbang-, path-Abenue Joffre-, and landmark-St. Igantius Cathedral. And we interrogated into the activities and documents of contemporary Chinese intellectuals and literary artists which had displayed at the cafes and public parks of Avenue Joffre, a physical space that made its modern urban images up. Consequently, it can be said that these intellectuals and literary artists were anxious to make China a cultural power of world like France and re-create Shanghai as a model of modern city like Paris. Absolutely, their such ideas lacked the accurate appreciations of reality. However, alongside of 'old-Shanghai Nostalgia' phenomena which tried to recover the abundance and culture of 1920ㆍ1930s' Shanghai, the image of 'Shanghai, Paris of the East' come to life again today.
We examined how the French Concession had been constructed and Shanghai's urban images had been made up focusing on "Xujiahui parish" defined mainly by edge-Yangjinbang-, path-Abenue Joffre-, and landmark-St. Igantius Cathedral. And we interrogated into the activities and documents of contemporary Chinese intellectuals and literary artists which had displayed at the cafes and public parks of Avenue Joffre, a physical space that made its modern urban images up. Consequently, it can be said that these intellectuals and literary artists were anxious to make China a cultural power of world like France and re-create Shanghai as a model of modern city like Paris. Absolutely, their such ideas lacked the accurate appreciations of reality. However, alongside of 'old-Shanghai Nostalgia' phenomena which tried to recover the abundance and culture of 1920ㆍ1930s' Shanghai, the image of 'Shanghai, Paris of the East' come to life again today.
목차
Ⅰ. 들어가며
Ⅱ. 프랑스조계의 형성
Ⅲ. 프랑스조계와 도시인의 삶과 흔적
Ⅳ. 나오며
【Abstract】
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UCI(KEPA) : I410-ECN-0101-2010-911-002494601