지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2004.12
- 수록면
- 785 - 815 (31page)
이용수
초록· 키워드
오류제보하기
William Shakespeare's last four plays, grouped as "romances," are characterized by the improbabilities and contradictions without dramatic logic like cause-effect, motive and event or character and action. However, viewing these romances as open-form dramas can prove very helpful in evaluating and appreciating of these "strange" and "odd" plays.
Cymbeline, with its the most complex design and intricate story, contains extremely diverse, complex, and contradictory elements, such as tragedy, pastoral poetry, history, irony and naturalistic drama. As a result, during the four hundred years since it was written, this "odd play" has often been cut, altered, rewritten and rearranged. Cymbeline has been called an "unfinished play" and an odd mixture of incongruent ingredients which cannot apply to any system of life, by critics like Mansfield and Samuel Jhonson. It is neither. In this open-form drama, Shakespeare chooses to employ a mythic pattern and "strange" dramatic tactics in order to delve deep into the reality of human life.
As its finale demonstrates, Cymbeline, as 'an intricate beautiful machine,' surpasses all other plays in the consummate skill and the 'fantastic complexity of its use of discrepant awareness'. In this leisurely and gently amusing play, we enjoy "undemandingness." We meet Shakespeare who is entirely open to any values of life. At the end of the play, Cymbeline achieves an open-ended reconciliation without any resistance. By returning to Caesar what is Caesar's, Cymbeline shows practices Shakespeare's last prescription for this irresolvable life, to return to God what is God's.
In the end, we find those "alive" characters, Imogen, Iachimo, and Posthumus reduced to nothing but puppets or devices in this strangely patterned "fairy tale". In order to explore the fullness of life in all its potential, Shakespeare frankly emphasizes the artifices and attempts to draw our attentions to them. The extraordinary richness of the text and the wide range of meaning to which Shakespeare is entirely open, will enable us to create Cymbelines in the future. We see that the odd and problematic drama has grown out of the vision of an odd and problematic life.
Cymbeline, with its the most complex design and intricate story, contains extremely diverse, complex, and contradictory elements, such as tragedy, pastoral poetry, history, irony and naturalistic drama. As a result, during the four hundred years since it was written, this "odd play" has often been cut, altered, rewritten and rearranged. Cymbeline has been called an "unfinished play" and an odd mixture of incongruent ingredients which cannot apply to any system of life, by critics like Mansfield and Samuel Jhonson. It is neither. In this open-form drama, Shakespeare chooses to employ a mythic pattern and "strange" dramatic tactics in order to delve deep into the reality of human life.
As its finale demonstrates, Cymbeline, as 'an intricate beautiful machine,' surpasses all other plays in the consummate skill and the 'fantastic complexity of its use of discrepant awareness'. In this leisurely and gently amusing play, we enjoy "undemandingness." We meet Shakespeare who is entirely open to any values of life. At the end of the play, Cymbeline achieves an open-ended reconciliation without any resistance. By returning to Caesar what is Caesar's, Cymbeline shows practices Shakespeare's last prescription for this irresolvable life, to return to God what is God's.
In the end, we find those "alive" characters, Imogen, Iachimo, and Posthumus reduced to nothing but puppets or devices in this strangely patterned "fairy tale". In order to explore the fullness of life in all its potential, Shakespeare frankly emphasizes the artifices and attempts to draw our attentions to them. The extraordinary richness of the text and the wide range of meaning to which Shakespeare is entirely open, will enable us to create Cymbelines in the future. We see that the odd and problematic drama has grown out of the vision of an odd and problematic life.
목차
Ⅰ. 서론
Ⅱ. 열려진 극과 로망스
Ⅲ. 텍스트 고찰
Ⅴ. 결론
인용문헌
Abstract
참고문헌 (13)
참고문헌 신청
[학술지(정기간행물)] - 김한 / 1996 / Pericles: An Endless Story / Shakespeare Review 29 (2) : 71 ~ 106
[단행본] - Colie, Rosalie L. / 2000 / 'Nature's Above Art in that Respect': Limits of the Pastoral Pattern (Modern Critical Views: William Shakespeare's Romances) / New York: Chealsea House
[단행본] - Foakes, R. A. / 1971 / Shakespeare: The Dark Comedies to the Last Plays: From Satire to Celebration / Charlottesville: UP of Virginia
[단행본] - Frye, Northrop / 1965 / A Natural Perspective.: The Development of Shakespearean Comedy and Romance / New York: Columbia UP
[단행본] - Mowat, Barbara A. / 1976 / The Dramaturgy of Shakespeare's Romances / Athens: The U of Georgia P
[단행본] - Colie, Rosalie L. / 2000 / 'Nature's Above Art in that Respect': Limits of the Pastoral Pattern (Modern Critical Views: William Shakespeare's Romances) / New York: Chealsea House
[단행본] - Foakes, R. A. / 1971 / Shakespeare: The Dark Comedies to the Last Plays: From Satire to Celebration / Charlottesville: UP of Virginia
[단행본] - Frye, Northrop / 1965 / A Natural Perspective.: The Development of Shakespearean Comedy and Romance / New York: Columbia UP
[단행본] - Mowat, Barbara A. / 1976 / The Dramaturgy of Shakespeare's Romances / Athens: The U of Georgia P
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
『심벌린』과 셰익스피어의 혈통에 바탕을 둔 원전 변형의 의미
Shakespeare Review
2000 .06
-
Blood-quality as the Touchstone of Rewards and Punishments in Shakespeare's Cymbeline
Shakespeare Review
1992 .12
-
『심벨린』(Cymbeline): 세계주의 정체성 탄생을 위한 신화
Shakespeare Review
2018 .09
-
“Deceased as He Was Born”: Past, Present, Future Queens in William Shakespeare’s Cymbeline
영어영문학
2020 .05
-
『심벨린』 : 내러티브 형식의 새로운 브리튼 역사 만들기
Shakespeare Review
2012 .09
-
『심벨린』에 나타난 단위생식 환상
영어영문학연구
2003 .01
-
국가주의 시각으로 본 『심벨린』(Cymbeline)
Shakespeare Review
2020 .03
-
『심벨린』(Cymbeline): 남성들의 로고스의 상실과 회복자로서의 여성의 심리학적 분석
Shakespeare Review
2019 .06
-
Sixty Years of New Drama in Korea
Korea Journal
1969 .03
-
Process Drama
미래영어영문학회 학술대회 자료집
2017 .12
-
Problems of Korean Drama : Its Present and Future
Korea Journal
1962 .08
-
가부장 신화의 관점에서 본 『심벨린』
Shakespeare Review
2002 .06
-
창의성을 위한 영어교육: 과정 연극(Process Drama)
영어영문학
2014 .08
-
History of Korean Drama
Korea Journal
1964 .06
-
『심벨린』(Cymbeline)의 정치성
Shakespeare Review
2017 .06
-
Shakespeare In Korea
Shakespeare Review
2002 .09
-
20세기 중국 話劇과 전통 戱曲의 拮抗
외국학연구
2013 .01
-
Colonial Shakespeares : Shakespeare in Korea, 1906-1945
Shakespeare Review
1997 .12
-
No Tradition of Drama
Korea Journal
1970 .01
이 논문의 저자 정보
이 논문과 함께 이용한 논문
『리처드 3세』(Richard III)에 나타난 악의 비전 : 반복과 고착, 무와 무능
김문규
Shakespeare Review
2015
.12
영국 르네상스 복수비극의 전복적 욕망
강석주
Shakespeare Review
2010
.12
The Tragic Vision in Greek Tragedy, Shakespearean Tragedy and Noh Drama
Dongwook Kim
Shakespeare Review
2010
.06
21세기 셰익스피어 원저자론 논쟁 : 소네트를 중심으로
한영림
Shakespeare Review
2010
.06
『스페인의 비극』(The Spanish Tragedy)에 나타난 복수의 명분
이경호
Shakespeare Review
2010
.06
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2010-840-003139350