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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Pansori has been translated into the modern Korean language through 3 stages. The first stage was to collect and file-up the Pansori passed on by oral tradition. The epic chants before then had not been worthy of historical materials as it had been arranged just individually and sporadically. In addition, some of the epic chant were out of date which needed to be re-arranged and others no more existed and others were newly formed. So it was essential to compile the epic chants mainly well transmitted. The epic chant collecting work was focused on a popularity basis and classified by school, 바디(body) and singer.
As the Pansori reflects a traditional life and language, there are many parts which are difficult for modern people to understand. The reason for that is because not only there are some misinformation but also language used for the Pansori is old version spoken more than 200 years ago resulting. Annotations were made in the report as the aim for the study was to make ordinary people fully understand the Pansori.
Modernization of Pansori needs outstanding knowledge of Korean classical literature, ancient language and chinese characters. Considering the fact, The study has relied on the advice of scholars majored in Chinese characters, Korean classical literature and ancient language research in order to get accuracy.
The results of the 2nd stage work were used for translating Pansori into modern Korean language. The process of translation into modern language is divided into the first work concentrating on a meaning transmission and the second work putting the former to directly apply to Pansori. All two works can be used for a caption which helps audience’s understanding of the Pansori on the stage.
For translation of Pansori into modern language, first, it is necessary to change the old sayings, a name of place in China, proper nouns, a proverb into the modern expressions and, secondly, considering the fact that Pansori is spoken in Cholla dialect, it is necessary to change it to the standard language. Third, the sequence of tenses is needed because Pansori as a performance language normally ignores tenses.
As Pansori is used not only as a reading book but also as a sing or performance, there should be good translation expressing the wonderful rhythm, rhyme and colloquiality of the Pansori. There also should be a standardization of Pansori epics which have varied from singers to singers. The translation of Pansori epic chants will be the major national achievement of Korean culture in the future.
As the Pansori reflects a traditional life and language, there are many parts which are difficult for modern people to understand. The reason for that is because not only there are some misinformation but also language used for the Pansori is old version spoken more than 200 years ago resulting. Annotations were made in the report as the aim for the study was to make ordinary people fully understand the Pansori.
Modernization of Pansori needs outstanding knowledge of Korean classical literature, ancient language and chinese characters. Considering the fact, The study has relied on the advice of scholars majored in Chinese characters, Korean classical literature and ancient language research in order to get accuracy.
The results of the 2nd stage work were used for translating Pansori into modern Korean language. The process of translation into modern language is divided into the first work concentrating on a meaning transmission and the second work putting the former to directly apply to Pansori. All two works can be used for a caption which helps audience’s understanding of the Pansori on the stage.
For translation of Pansori into modern language, first, it is necessary to change the old sayings, a name of place in China, proper nouns, a proverb into the modern expressions and, secondly, considering the fact that Pansori is spoken in Cholla dialect, it is necessary to change it to the standard language. Third, the sequence of tenses is needed because Pansori as a performance language normally ignores tenses.
As Pansori is used not only as a reading book but also as a sing or performance, there should be good translation expressing the wonderful rhythm, rhyme and colloquiality of the Pansori. There also should be a standardization of Pansori epics which have varied from singers to singers. The translation of Pansori epic chants will be the major national achievement of Korean culture in the future.
목차
1. 머리말
2. 판소리 채록 작품 선정
3. 판소리 사설의 주석 작업
4. 판소리 사설의 현대 한국어 번역
5. 개선 방향
6. 맺음말
【참고문헌】
【Abstract】
참고문헌 (14)
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UCI(KEPA) : I410-ECN-0101-2010-809-003031945