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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2010.12
- 수록면
- 111 - 129 (19page)
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초록· 키워드
오류제보하기
Pictures was one of the easiest and most images for Koreans in the 1950’s. In particular, photographs has been used for propaganda during war because the media depicts the combat verisimilitudely. Reproduced photographs posted in mass media were circulated, which made people see and believe the war in their own eyes. In this regard, pictures was a powerful media in constructing visual culture during wartime.
For three years of Korean War, people sought refuge in Busan, the city of southern Korea and kept publishing newspapers to deliver the progress of the battle. As a public and influential mass media, newspapers in the 1950’s had an effect on formation of visual culture at that time. Newspapers showed some images repeatedly to their readers: one is the latest war weapons and the other devastated landscapes. Even if the front line got stuck, photographs of war weapons symbolized the triumph of South Korea and the defeat of the North. Even if the photographs showed the ruins of war, texts in the article told the hope of life to reconstruct the city. While foreign press focused on miserably destructed Korea, Korean press tried to show war images with positive texts that the country can overcome the tragedy and rebuild their nation.
During war all the articles and photographs were under the control of strict censorship of the Korean government. South Korean Army was considered as a government organization to decide which images should be seen or not as well as let the Signal Photographic Unit take war photographs. Looking into the establishment and activities of South Korean Signal Photographic Unit is imperative that we reveal a relationship between photographs and official subject that made them. This study is also a research about war photographers who documented the war in different areas of the Korean army. Korean war photographers not only obeyed the rules of army but took photographs of Korean war in their creative perspectives. It will include pictures of these war photographers who provided the foundation of development of documentary photographs which became the mainstream of postwar Korean photography.
In conclusion, Korean war photography is an influential media that visualized the war for Koreans as one of the main source of visual culture in the 1950’s. This article is to study a close relationship between photographs and visual culture during Korean war.
For three years of Korean War, people sought refuge in Busan, the city of southern Korea and kept publishing newspapers to deliver the progress of the battle. As a public and influential mass media, newspapers in the 1950’s had an effect on formation of visual culture at that time. Newspapers showed some images repeatedly to their readers: one is the latest war weapons and the other devastated landscapes. Even if the front line got stuck, photographs of war weapons symbolized the triumph of South Korea and the defeat of the North. Even if the photographs showed the ruins of war, texts in the article told the hope of life to reconstruct the city. While foreign press focused on miserably destructed Korea, Korean press tried to show war images with positive texts that the country can overcome the tragedy and rebuild their nation.
During war all the articles and photographs were under the control of strict censorship of the Korean government. South Korean Army was considered as a government organization to decide which images should be seen or not as well as let the Signal Photographic Unit take war photographs. Looking into the establishment and activities of South Korean Signal Photographic Unit is imperative that we reveal a relationship between photographs and official subject that made them. This study is also a research about war photographers who documented the war in different areas of the Korean army. Korean war photographers not only obeyed the rules of army but took photographs of Korean war in their creative perspectives. It will include pictures of these war photographers who provided the foundation of development of documentary photographs which became the mainstream of postwar Korean photography.
In conclusion, Korean war photography is an influential media that visualized the war for Koreans as one of the main source of visual culture in the 1950’s. This article is to study a close relationship between photographs and visual culture during Korean war.
목차
Ⅰ. 머리말
Ⅱ. 사진 - 전쟁의 대리 목격자
Ⅲ. 신문 사진과 이미지의 정복
Ⅳ. 국방부 정훈국 사진대의 창설과 활동
Ⅴ. 사진가들의 종군 경로와 활동
Ⅵ. 맺음말
참고문헌
〈Abstract〉
참고문헌 (19)
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UCI(KEPA) : I410-ECN-0101-2014-600-000668490