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자료유형
학술저널
저자정보
저널정보
한국현대소설학회 현대소설연구 현대소설연구 제16호
발행연도
2002.6
수록면
327 - 347 (21page)

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The purpose of this paper is to observe the change over realizing the reality by writers in the post-war novels in 1950`s. specially reflected in the novels of Seo ki-won and Kim Kwang-sik. To objectify the experiences of war can be resulted from the holistic perspectives of life that the subject, facing the war, the extreme violence itself, involves in. It means that the subject does not regard the violence and unfairness of war as a coincidence instead does as the natural factor of life. Through this way, it could give the subject the chance of looking back oneself from present moment. However, it can not be precluded that Korean war has different meaning in the light of the causes of the war compared to the Western. The war could be the mediates of self-communion for the war, however, ironically the ideology of the nations was getting stronger in the reality of the war. Accordingly to writers seeking for "New Morality" as a way of self-reflection, this period of time was thought of the retrogression of the real life. In this paper, works of two writers, Seo ki-won and Kim Kwang-sik, showing their thoughts on these circumstances, are reviewed cause the point view of the world in writings of these two had been changing as the reality of society changed. Right after the war, they looked in to the true meaning of general human-being affected by the war. Seo ki-won perceived the human-being to be the existence of the desire and projected the willingness for this desire as the meaning of self-denial. In his work,『Amsajido』, the symbolic place, called "the house with a hole in the celling" brought up the question of nature of human-being by denying "the fatherhood" and through self-communion. Kim Kwang-sik showed the hopeless self awareness of the isolated individuals from "mechanistic world" in his work『Number 213 house』. However, their trends in these two writers` works were turned back to criticize against the problems of the real world around in 1950`s. Around this time, the agressiveness of anti-communism and the reduction of economic support from outside leaded to the deteriorating society, which had writers to seek for the alternatives for the regression for the reality. Seo ki-won showed self-awareness who could not help being back to the social order in 『Moonlight and Starvation』 while Kim Kwang-sik wrote critically about the phenomenon of enforcing the existing values and the problem of transmitting values in 『The Figure of Mother & daughter』. The question of "the lack of perceiving history" in post-war novels in 1950`s, used to be a major subject of criticism, are suggested for re-evaluation. The opinion, so called "the perception of history" of Seo ki-won can be regarded of representing the political and social reality. After Korean War as the life went retrogressively, these circumstances could not but play a role as the principle of life and as the subjects to be overcome against the reality to writers in these times.

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