인문학
사회과학
자연과학
공학
의약학
농수해양학
예술체육학
복합학
DBpia AI
AI 에이전트
AI 아이디어
AI 리더
AI 뷰어
Citeasy
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지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 한국미술연구소 미술사논단 美術史論壇 第42號
- 발행연도
- 2016.6
- 수록면
- 161 - 193 (33page)
- DOI
- 10.14380/AHF.2016.42.161
이용수
초록· 키워드
The aim of this study is to closely examine the works of the “Feminist Artists Group IPGIM” in the context of Contemporary Korean Art and the arts of glocal era. IPGIM was created by 8 woman artists in their 30s in 1997 when Korean women culture movement was at its height. Its founders, Kwak Eunsook, Kim Myungjin, Rhu Junhwa, Woo Shinhee, Yoon Heesu, Jung Jungyeob, Je Miran, and Ha Insun, showed exceptional works in practicing art by temporary solidarity with feminist identity in the 2000s. IPGIM was active in various ways pursuing characteristics of feminist art, activist art, project art and art as public intervention. This study examines the subject, perfunctory design, analysis on aesthetics, as well as the involvement methods and urges on the change of views on woman issues in the Korean society through 4 of the 7 major projects of joint planning, and coproduced: AbanggoongJongmyo Project, Island-Survivor, Disemerging Women, Disemerging Women-Stories of Eumsa.
IPGIM challenged the female images as a signifier and the politics of space created by patriarchal Confucian culture through feminist perspective. They have unraveled lives of female individuals with various identities that cross over different time and space into realism by focusing on female body and sexuality, labor, class. IPGIM’s activities connects to feminist art in the 1980s and umbilical cord in one sense, and on the other, progressed by reacting sensitively to changing woman issues through accepting contemporary sensibilities, temporary solidarity, uses of various media and so on. Therefore, IPGIM created a unique local feminist art different from the West in the glocal era, and contributed in the contemporary Korean feminist art.
IPGIM challenged the female images as a signifier and the politics of space created by patriarchal Confucian culture through feminist perspective. They have unraveled lives of female individuals with various identities that cross over different time and space into realism by focusing on female body and sexuality, labor, class. IPGIM’s activities connects to feminist art in the 1980s and umbilical cord in one sense, and on the other, progressed by reacting sensitively to changing woman issues through accepting contemporary sensibilities, temporary solidarity, uses of various media and so on. Therefore, IPGIM created a unique local feminist art different from the West in the glocal era, and contributed in the contemporary Korean feminist art.
#여성주의 미술 feminist art
#입김 Ipgim
#아방궁 종묘점거 프로젝트 Abanggoong Jongmo Project
#사라지는 여자들 프로젝트 Disemerging Women Project
#섬-생존자 프로젝트 Island-Survivor Project
상세정보 수정요청해당 페이지 내 제목·저자·목차·페이지정보가 잘못된 경우 알려주세요!
목차
- Ⅰ. 들어가는 말
- Ⅱ. ‘입김’의 성격과 미학
- Ⅲ. 주요 프로젝트
- Ⅳ. 나오는 말
- 참고문헌
- ABSTRACT
참고문헌
참고문헌 신청최근 본 자료
UCI(KEPA) : I410-ECN-0101-2017-650-000802787
