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자료유형
학술저널
저자정보
양윤정 (건국대학교)
저널정보
미래영어영문학회 영어영문학 영어영문학 제21권 제3호
발행연도
2016.8
수록면
47 - 65 (19page)

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This paper aims to demonstrate J. M. Barrie’s Peter and Wendy (1911) as a meta-narrative on how imaginative play must be safeguarded for children. Wendy, who is from London, has had the opportunity to travel to Neverland with Peter Pan. When she returns to London, she moves on with her life, grows up, and later becomes a mother who narrates the story about Neverland to her children. Meanwhile, Peter Pan who lives in the fantasy world Neverland arbitrates between two worlds: Neverland and London. He is just a fictional character who exists in the mother’s narrative and who guides little girls to Neverland. The entrance and passage to Neverland is a training ground for all children to explore their imagination. Peter Pan serves as a guide to Wendy and her daughters in their Neverland adventures. They then repeatedly talk about their fantastic experiences about. Wendy’s first question to Peter Pan, “Why are you crying?,” which is repeated by Jane shows that the women’s storytelling tradition continues from Mrs. Darling, to Wendy, and to her daughters. In this way, Barrie could write a meta-narrative for adults and not for children. From the Victorian ideology of women, he identifies women’s nurturing abilities as sewing and storytelling both of which are given to Wendy. Wendy and her daughters nurture their bodies and souls particularly through their storytelling ability. Eventually, they become adult narrators who have the power to continue to maintain the existence of Peter Pan and Neverland.

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Ⅰ. 서론
Ⅱ. 피터와 웬디의 네버랜드 모험
Ⅲ. 결론
인용문헌
〈Abstract〉

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UCI(KEPA) : I410-ECN-0101-2017-740-001157322