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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국체육철학회 움직임의 철학: 한국체육철학회지 움직임의철학: 한국체육철학회지 제6권 제2호
발행연도
1998.12
수록면
241 - 304 (64page)

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When we address feminism as a liberation of human being through an exploration of women`s identities, the 「Art of Dances」 plays a vital role in expressing the soul through choreograghy and improvisation, using the human body as its means of expression, thus making dance better than any other form of art for achieving the socialization of women. This paper reviews the evolution of western modern dance and the history of Korean women s dance from the late 19^(th) century to the early 20^(th) century from a feministic point of view, i.e., how the feministic trend of the dancers develop its expression and directions in dach different social structure, how the concept of dance has changed through time in the Korean society, which is very patriarchial and chauvinistic, and how the absolute domain ratio of female dancers in the dance population contributes to the socialization of Korean women. Whin dance is considered as a way of expressing the inner world by a series of body movements, the visionary image of dance itself constructs a contraction image of men and women, and in other related subjects and/or themes, this image is again reflected onto dance pieces on stage. The position of women in dance is greatly influenced by a series of complex historical and cultural factors. Considering the dance drill exercises, its policy, its organization and supporting policy, and an evaluation of how its works, the effect of political power and male-oriented social structure, coupled with a power-oriented economic system and ideological concepts, greatly influences the weaker role of women versus that of men. Women, directly or indirectly influenced by feminism, endeavour to pursue and achieve a renovative progression through their emotions and strong will. As a result, the increase in the female dance population in Korean society contributes to an independent female portrait. This signifies that dance is no longer an exhibition of body, but an expression of soul, a general language of art. Therefore, looking at the future role of women in the 21^(th) century, Korean dance as an art should develop its own innovative form in search of the value of women.

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