메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
김수희 (서울대학교)
저널정보
한국중어중문학회 중어중문학 中語中文學 第75輯
발행연도
2019.3
수록면
3 - 24 (22page)
DOI
10.46612/kjcll.2019.03.75.3

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
LiuYong-Ci got a lot of love from the public in Song Dynasty. This is because of the theatrical aspect of his Ci –poetry. The theatrical aspect is a big feature of Citizen culture of Song Dynasty. Ci –poetry also has a theatrical aspect as one of the Citizen culture. His work was often performed by a concubine. So his works have many theatrical elements. LiuYong-Ci has characters and set up a stage scene. There are male characters in his work, and male characters refer to female characters. This can be seen as the simultaneous appearance of men and women. His work actively utilized the monologue and conversation of characters. This is to tell the audience of the performance, which is a so-called dramatic structure.
His work has a lot of typical scenes and Loutai(樓臺)architecture. LiuYong composed a scene through many lines. He connected the scenes which has a literary tradition, and He switched the scenes through imagination activities. This way of connecting scenes and switching scenes is suitable for manci that deal with narrative sanctions. This forms the scene of autumn-riverfarewell, it can be said that this is a typical scene of Songyufeiqiu(宋玉悲秋). And he climbed into the Loutai and recalled the past or guessed the future. Most of these associative scenes are located in the guopian(過片) of Ci-poetry. It can be seen that when the music is resting for a while, the actors are getting ready to perform on the stage.

목차

1. 들어가며
2. 등장인물의 활용
3. 서사 연출을 위한 장면 구성
4. 나가며
參考文獻
Abstract

참고문헌 (20)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0