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자료유형
학술저널
저자정보
저널정보
부산외국어대학교 지중해지역원 지중해지역연구 지중해지역연구 제11권 제3호
발행연도
2009.1
수록면
1 - 29 (29page)

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It seems that Spain did not have a concrete Avant-garde movement unlike other European countries at the start of twentieth century. However, we can not dismiss the possibility of various attempts to sympathize with other Avant-garde movements such as Futurism, Expressionism, Dadaism, Surrealism, etc. Therefore, the objective of this article was to approach to the reality of Spanish Avant-garde movement. To obtain our aim, we took advantage of the personal opinions and literary works at that time. After analyzing our proposed issues, we can come to the following conclusions: First, Spanish Avant-garde can be divided into two different periods: the first revolutionary stage and the second constructive stage. Second, we can find common aesthetic principles of the Spanish Avant-gardists such as a break with the past generations; the persuit of new sensibilities; elitism; cosmopolitism; the playful concept of art, etc. Third, Spanish Avant-gardists want to carry out the Avant-gardistic ideology through their concrete literary works. Therefore, they paid attention to many new themes: the metropolitis, sports, cinema, music-hall, etc. Finally, we can’t help mentioning literary megazines which played a great role in distributing new Avant-gardistic ideology all over the country: Revista de Occidente and La Gaceta Literaria, etc. In short, many young writers of that time felt very anxious for new artistic or literary trends and acted like authentic avant-gardists, though they didn’t form a concrete school or movement.

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