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학제간연구 과학기술학 뇌인지과학 기술정책 기타 복합학

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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국고전르네상스영문학회 고전 르네상스 영문학 고전 르네상스 영문학 제19권 제2호
발행연도
2010.1
수록면
73 - 93 (21page)

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초록· 키워드

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General criticism of Doctor Faustus is to view that the play dramatized a conflict between the values of radical humanism and the morality tradition. On the one hand, some critics interpret the play by discussing whether the play represents Christian orthodoxy or heretical ideas. However, the Renaissance was basically a Christian era, as P.O. Kristeller explains, so Renaissance people were involved with the Christian faith although some people questioned concerning the orthodoxy. At the same time the Reformation prevailed in the period. When Marlowe wrote the play, especially the Calvinist theology grew increasingly in English church. Thus, it is seen that the two historical backgrounds permeate the play. In this paper, I explore Faustus’ inner world, which vacillates between the aspiration of humanism and the creed of Calvinism. Obsessed with Calvinistic dogma, Faustus is occupied with his inner world. He deeply feels sense of sin and despair because he assumes that God doesn’t love him. To him, God is justice not love. He is not able to believe in his own potential salvation, thinking and feeling that he is damnable. As a result, he determines to be committed to magic not only because magic is one way of escaping this doomed view of human existence but also because magic will give him power to get a deity. Some critics criticize Faustus, for his desire to obtain the power through magic is to serve his lusts. However, in Renaissance, the idea of being a demi-God is based upon the occult doctrine that individual can unite with God by attaining universal knowledge. Faustus’s desire to attain power through knowledge can be interpreted in this context. Faustus achieves some things he desires through magic, but he is unhappy and unsatisfied with those things he has fulfilled, repenting losing the joys of heaven. This indicates that he believes in the existence of heaven and the thing he really longs for is God’s love and grace. Throughout the play, Faustus is trying to rebel against the Calvinist doctrine, from which, nevertheless, he cannot escape. He reveals a considerable sense of guilt about his desires and expresses great anxiety for the possibility of being saved in terms of Calvinism. At the same time, he represents humanist’s aspiration for human capability and its unlimited potential. Renaissance individualism and Protestant individualism seem to contradict each other, but they share a common desire to become one with God. In Doctor Faustus, it is witnessed that the two forms of individualism exist.
#종교개혁 #캘빈주의 #르네상스 개인주의 #신교 개인주의 #마법 #the Reformation #Calvinism #Renaissance individualism #Protestant individualism #magic

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참고문헌 (19)

참고문헌 신청
Barber, C. L / 1966 / The Form of Faustus’ Fortunes Good or Bad. Doctor Faustus: text and major criticism / The Odyssey Press : 173 ~ 199 google schola Brooks, Cleanth / 1986 / The Unity of Marlowe’s Doctor Faustus. Christopher Marlowe / Chelsea House : 97 ~ 108 google schola Dumont, Louis / 1986 / Essays on Individualism: Modern Ideology in Anthropological Perspective / U of Chicago P google schola Giamatti, A. Bartlett / 1986 / The Arts of Illusion. Christopher Marlowe / Chelsea House : 109 ~ 120 google schola Hoby, Thomas / 2000 / Castiglione’s The Courtier. The Norton Anthology of English Literature / Norton : 578 ~ 593 google schola

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