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자료유형
학술저널
저자정보
저널정보
한국제임스조이스학회 제임스조이스 저널 제임스조이스 저널 제21권 제2호
발행연도
2015.1
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33 - 50 (18page)

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This essay is on the trail for the traces of Joyce’s mourning for his dead mother in Stephen’s disquisition on Hamlet in the “Scylla and Charybdis” episode of Ulysses. Joyce’s emotional distress arising from May Joyce’s death in 1903 has attracted little critical attention. Joyce’s antipathy against Catholicism has been a frame of reference expounding Stephen’s recoiling at his Catholic mother and, therefore, Joyce’s nonchalance about the loss of his supportive mother. Diverging from the socio-political view of Joyce’s coldness towards his mother, this essay argues that Stephen’s Hamlet lecture in “Scylla and Charybdis” is no less than Joyce’s mourning for his long-dead mother by way of projecting his melancholy onto Hamlet’s sorrow for his deceased father. Joyce’s grief over his deceased mother is further traced back to his 1904 narrative essay “A Portrait of the Artist” written a year after his mother’s death. The 1904 essay mainly predicates his rationales for his will to artistic freedom, but his odd reference to an unidentified man’s sorrow in the essay alludes to his unresolved attachment to his dead mother. In “Scylla and Charybdis,” Stephen’s grieving memory of his dead mother is certainly a psychopathological symptom of Joyce as the “Man of Sorrow” mentioned in his 1904 essay, which signifies his unresolved attachment to his bygone mother.

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