메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류
인문학
인문학 일반 역사학 철학 종교학 어문학 기타 인문학
사회과학
사회과학 일반 경영학 관광학 교육학 군사학 문헌정보학 법학 사회학 신문방송학 심리과학 정치외교학 지리학 행정학 경제학 무역학 인류학 기타 사회과학
자연과학
자연과학 일반 물리학 생물학 생활과학 수학·통계학 천문학 지구과학 화학 기타 자연과학
공학
공학 일반 건축공학 기계공학 산업공학 재료·에너지공학 전기전자공학 조선해양공학 화학공학 컴퓨터학 기타공학
의약학
의학 일반 간호학 수의학 약학 한의학 기초의학 임상의학 기타 의약학
농수해양학
농수해양학 일반 농학 수산학 식품과학 임학 축산학 해상운송학 기타 농수해양학
예술체육학
예술 일반 디자인 미술 미용 사진 음악학 의상 체육 공연매체예술 기타 예술체육학
복합학
학제간연구 과학기술학 뇌인지과학 기술정책 기타 복합학

ENG

추천
검색

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국연극학회 한국연극학 한국연극학 제36호
발행연도
2008.1
수록면
200 - 225 (26page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색

초록· 키워드

오류제보하기
The aim of this study is to emphasize the natural voice in acting. Here, the natural voice means being free from emotional blocks with no inhibition. This will make actors be spontaneous, daring, expressive and most of all true to themselves. In the twentieth century, actors' needs started to change from technical skills such as elocution to the more creative, imaginative and communicative ones. Actors started to think that body and mind cannot work independently with voice in particular. To fulfill this need, Iris Warren started voice coaching to liberate the natural voice in 1920's. Kristin Linklater, one of her students, developed the program from which so many actors benefit now. This essay uses her methods to show how important it is to feel, breathe, and release freely so as to have expressive voice. First, actors should learn how the body and the mind interact. They have to change their way of thinking from that muscles are what keeps their body erect and move, to that bones are doing that. Therefore, any habitual unnecessary muscle tension acquired through everyday life will be eased from their body. Secondly, actors should think that breath is changed by thought. In other words, stimulus which comes from either thought or from the outside such as nice familiar smells, beautiful sight, terrible sound, etc., will create certain thought and rouse impulse and feeling. Finally, actors come to the stage of touching the sound after finding their natural breath by getting rid of emotional blocks caused by defenses, inhibitions and negative reactions, etc. Actors use their mind's eye picturing that their torso is a pool full of sound. Now, any impulse or feeling is dropped into that pool which actually is incoming breath, splashes and releases out by vibrating the vocal cords. That is, the voice is a release on the outgoing breath. This process is the only way humans think and express their thought verbally. There is no other way to communicate than this. Actors are the same except they do not speak their own thoughts but words that playwright has written. This is why the voice technique is the most important field in actor training. In conclusion, actors must get rid of physical tension and emotional blocks to have natural breathing which will free their natural voice. Only the natural voice will communicate characters' inner life more freely.
#메소드 #Method) #음성 #voice) #크리스틴 링클레이터 #Kristin Linklater) #호흡 #breathing)

목차

등록된 정보가 없습니다.

참고문헌 (18)

참고문헌 신청
Benedetti,Jean / 2007 / The Art of the Actor / Routledge google schola Benedetti,Robert / 1999 / The ACTOR in YOU / Person Education google schola Berry / 1973 / VOICE AND THE ACTOR / Macmillan google schola Brockett / 1976 / The Essential Theatre / Holt, Rinehart and Winston google schola Carnovsky,Morris / 1984 / The Actor’s Eye / Performing Arts Journal Publications google schola

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

최근 본 자료

전체보기

댓글(0)

0