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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2021.6
- 수록면
- 83 - 120 (38page)
- DOI
- 10.46694/JSS.2021.06.36.2.83
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초록· 키워드
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The purpose of this study is to illuminate one of the unexplored origins of Nabokov’s theatrical elements constructing his artistic world by focusing on a recurrent but relatively inconspicuous motif, the oranges in his novels.
Many of the oranges operating as a so-called ‘orange motif’ in Nabokov’s works are originated from the Russian Silver Age culture, in particular, from V. E. Meyerhold’s oranges which had appeared in three modes(performance, journal, and divertissement) in the mid-1910s.
We trace the parallel evolution of Nabokov’s sui generis narrative strategies and the orange motives to shed light on the multifarious aspects of theatricality and the utilization of those motives in various layers of narrative structure in his Russian-period novels, Mary, King, Queen, Knave, The Defense, Laughter in the Dark, and The Gift.
Through this study, we can observe not only the gradual evolvement of oranges from the subtle markers implying the origin of theatricality in his novels to the crucial motif involved in constructing the main syuzhet of the entire novel, but its rather radical transformation into the motif of a fundamental artistic principle in The Gift. As for the transformation of the orange motif in The Gift, we try to demonstrate it by analyzing Fyodor’s own somewhat declaratory phrase(“but the kind of dust that makes the most orange of sunsets”) about his projected autobiographical work in the last episode of the novel, and by linking it with the orange charade at the beginning of the novel.
Many of the oranges operating as a so-called ‘orange motif’ in Nabokov’s works are originated from the Russian Silver Age culture, in particular, from V. E. Meyerhold’s oranges which had appeared in three modes(performance, journal, and divertissement) in the mid-1910s.
We trace the parallel evolution of Nabokov’s sui generis narrative strategies and the orange motives to shed light on the multifarious aspects of theatricality and the utilization of those motives in various layers of narrative structure in his Russian-period novels, Mary, King, Queen, Knave, The Defense, Laughter in the Dark, and The Gift.
Through this study, we can observe not only the gradual evolvement of oranges from the subtle markers implying the origin of theatricality in his novels to the crucial motif involved in constructing the main syuzhet of the entire novel, but its rather radical transformation into the motif of a fundamental artistic principle in The Gift. As for the transformation of the orange motif in The Gift, we try to demonstrate it by analyzing Fyodor’s own somewhat declaratory phrase(“but the kind of dust that makes the most orange of sunsets”) about his projected autobiographical work in the last episode of the novel, and by linking it with the orange charade at the beginning of the novel.
목차
Ⅰ. 들어가며
Ⅱ. 『재능(Дар)』 이전의 장편소설에서 오렌지 모티프 의 변화
Ⅲ. 『재능(Дар)』의 오렌지 - 예술 창작의 원리로
Ⅳ. 나가며 - 『재능(Дар)』 이후 오렌지 모티프의 파생
참고문헌
Abstract
참고문헌 (38)
참고문헌 신청
Набоков, Владимир / 2009 / Собрание сочинений: русский период. в пяти томах / Симпозиум
Nabokov, Vladimir. Mary / 1970 / Michael Glenny in collaboration with the author / McGraw-Hill Book Company
Nabokov, Vladimir. Mary / 1968 / Dmitri Nabokov in collaboration with the author / Weidenfeld and Nicolson
Nabokov, Vladimir. Mary / 2000 / Michael Scammell in collaboration with the author / Penguin Books
Nabokov, Vladimir. Mary / 2010 / Laughter in the Dark / Penguin Books
Nabokov, Vladimir. Mary / 1970 / Michael Glenny in collaboration with the author / McGraw-Hill Book Company
Nabokov, Vladimir. Mary / 1968 / Dmitri Nabokov in collaboration with the author / Weidenfeld and Nicolson
Nabokov, Vladimir. Mary / 2000 / Michael Scammell in collaboration with the author / Penguin Books
Nabokov, Vladimir. Mary / 2010 / Laughter in the Dark / Penguin Books
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