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논문 기본 정보

자료유형
학술저널
저자정보
이병진 (세종대학교)
저널정보
한국외국어대학교 일본연구소 일본연구 일본연구 제82호
발행연도
2019.1
수록면
87 - 108 (22page)

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초록· 키워드

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Since the beginning of the 20th century, we are facing an era when it is necessary to change the export strategy of Japanese crafts as a Japanese export industry. At this time, it was a movement that was trying to discover new possibilities at the foundation of East Asian traditional craft culture by reviewing the modern craft museum in Western Europe through the interest and re-evaluation of Korean ceramics that began with Muneyoshi Yanagi It was. Takumi Asakawa is the person who built these academic philosophy by putting these willow philosophy into practice. The author highly valued the excellence of the culture and art of the recolonial Korean colonies in the 1920s, which was under the magnetic field of Muneyoshi Yanagi's Korean folk art movement and the Shirakaba artistic supremacy in this paper. I will try to see the life of Takumi Asakawa who was trying to inform Japan. In particular, Takumi Asakawa discovered the daily routine of Korea and overcame such problems by recognizing the relationship between the movement of folk art (knowledge) and colonialism discovered by participating in it. I would like to examine whether. The skill of Korean crafts was acquired through interaction with Koreans as consumers, and it was far from being recognized as a gaze for tourists. He listened to the voice of nature, experienced authenticity, and united nature and religion. Takumi surveys many areas of the Korean peninsula through nursery field tests, etc., touches nature with people in Korea, shares a way of life with them, and learns, and places importance on life satisfaction and happiness that can be learned. He understands and participates in the Korean lifestyle and culture that accompanies the act of collecting, and maintains its beauty and inherits it. The effort was at the same time a strong interest and love for the people who made such Mingei, nature, climate and history.

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