지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
I regard the plagiarism problem commonly exists in the history of Ease and West. As Mandarin Ducks & Butterflies(MDB)'s transfer to Shanghai School Fiction(SSF) became more apparent, MDB's writing dearly has close relationships with the then current commercial trend at the litreray world. More significantly, the plagiarism problem and the criticism co the writing mind also took the rise in the group writing or adaptation and Imitation. It is notable that the bestseller form of popular tradition makes a deep Impression on the reader's mind and then raises the appearance of similar works. The problem of abundant production and the plagiarism, however, is not their own abuses just remarkable in the writing mind of MDB or SSF. The debate on the plagiarism and appropriation is longranged phenomena in all ages and countries. In fact, the literary history can be regarded as the history of misgivings, intentional misunderstandings, and intentional revision. The Chinese writers also wanted to create new work by imitate intentionally and consciously. At this point, it was not regarded as the defect but as the virtue in Chinese novel. In spite of that, the west literary world regarded this phenomena as the burden of the past or the anxiety of influence. There exists misreading, however, that is, creative revisional act between two authoratative writers, who make literary influence. In fact, this misreading phenomena broadly appears in the longranged history of Chinese novel. It is not too much to say that the name of the modernity in Chinese literature is exactly this history of anxieties, intentional misunderstandings, and intentional revision. This agnostic attitude, however, not on]y can be misused for the authority of selfjustification or rationalization, but also can be misused for the intellctual nihilism that abandons the human rationality and knowledge irresponsiblly. At this point, the attempt to revaluate the Shanghai School's adaptation and imitation would not begins with accepting monism or absoluteness but begins with accepting pluralism or relativism. What's the standard of plagiarism and appropriation at work of art including literary works? First of all, 'publicity at form' and 'intention at contents' would be the standard prescribing creation and plagiarism. Secondly, the standard to judge the suspicion of plagiarism and appropriation is not microscopic aspect but is the macroscopic aspect. The third judging standard is not external elements as the form or literary style, but is the internal elements as the theme or plot, motif. Above all things, the most important standard to judge the plagiarism and appropriation of completed work would be whether it has individuality or not. From the genuine writers' viewpoint, however, there can occasionally be aroused considerable suspicion of plagiarism on. SS writers even though they clearly traced a quotation to its original source. Most of all, we can't deny thar commercial motive rook the rise in their adaptation and imitation, and they lack of pursuit and effort of transforming other writer's elements into new matter as alchemist did.
목차
1. 오독과 모방의 문학사
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UCI(KEPA) : I410-ECN-0101-2009-820-013737298