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So far critical commentaries on Kim Dong-In's works have been mostly mentioned with western literary trends of realism, naturalism, art for art's sake, nationalism and romanticism, which are simple and outmoded. What I want to focus on, in this paper, is his artistic attitude. He placed aesthetic view on moralistic recognition. To understand his work to his artistic attitude, first, I suggest what is the embedded logic which enables the critics to consider his works with western literary trends. By this, I try to show his modernist position is closely related with his artistic principle, his imagination of dreaming and fictionalizing and his meditative distance for the universe. As a modernist he could include western literary trends in his works.
Kim Dong-In insisted the autonomy of arts by way of establishing aesthetic ideas. And he showed an imaginative logic to objectify the human life as well as nature, exposing the subject is a result of dreaming and fictionalizing. He regarded the writer as the god who can create his world and reveal the meaning of his creations. Besides the writer is the observer for the reality, death, life and love with basis on questions, despairs, and analyses of modem scientific mind What he achieved in early modern days is the establishment of aesthetic ideas, the imaginative logic exposing the dreaming and the fictionalizing of the modem subject and the distance to observe the other and the world
Many critics use to explain his works to the western literary trends. In fact it can not be refuted that his works are influenced by them. Nonetheless, they do not correspond to the western trends or western aesthetics. So, it would be hasty and shallow decision to measure them with the western literary trends. To be free from the limits of western literary trends, his works should be understood in these aspects: they are founded on the artistic logic, they expose the fictionalizing of the modem subject, they have a distance as a observer in scientific experiment and anatomy, and they are based on the autonomy of arts and modem recognition.
Kim Dong-In insisted the autonomy of arts by way of establishing aesthetic ideas. And he showed an imaginative logic to objectify the human life as well as nature, exposing the subject is a result of dreaming and fictionalizing. He regarded the writer as the god who can create his world and reveal the meaning of his creations. Besides the writer is the observer for the reality, death, life and love with basis on questions, despairs, and analyses of modem scientific mind What he achieved in early modern days is the establishment of aesthetic ideas, the imaginative logic exposing the dreaming and the fictionalizing of the modem subject and the distance to observe the other and the world
Many critics use to explain his works to the western literary trends. In fact it can not be refuted that his works are influenced by them. Nonetheless, they do not correspond to the western trends or western aesthetics. So, it would be hasty and shallow decision to measure them with the western literary trends. To be free from the limits of western literary trends, his works should be understood in these aspects: they are founded on the artistic logic, they expose the fictionalizing of the modem subject, they have a distance as a observer in scientific experiment and anatomy, and they are based on the autonomy of arts and modem recognition.
목차
1. 문제의 제기
2. 예술화의 원리와 미적 절대 이념
3. 김동인의 상상 논리: 공상과 허구적 현실
4. 결론
Abstract
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