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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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초록· 키워드
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During the early twentieth century, many artists from the New England and New York areas painted aestheticized portrayals of American females of privilege and leisure. These paintings share a common Asian idiom: American women, often wearing Northeast Asian garments such as Japanese kimonos or Chinese jackets and dresses, are portrayed in and as part of interior settings decorated with Asian textiles, artifacts, and accoutrements.
In my article entitled “The Asianization of the American Feminine Ideal, 1876-1914” published in 2001, I examined these paintings within the context of Orientalism and Japonism. The female figures in these images represented the American feminine ideal in the conservative patriarchal society during this period of the women’s rights movement, and displayed stereotypical characteristics corresponding to the popularized image of the quiet, subservient, and passive Japanese woman.
Following the previous study, this article attempts an in-depth examination of the socio-cultural meaning and underlying codes of the Northeast Asian fashion utilized in these portrayals. In interpreting the complex meaning of the Asian fashion, I discuss several unifying elements related to the privileged and affluent classes of the American Gilded Age: the upper and upper-middle c1ass elitism, women’s love for luxurious Chinese/Japanese garments, Thorstein Veblen’s theory of the leisure class, the Aesthetic movement proselytized by James McNeill Whistler and Oscar Wilde, and the women’s dress reform movement and the adoption of Asian fashion.
As discussed in this article, these works illustrate the contemporary aestheticist philosophy of making life imitate art, and art imitate art-an idea opposed to the traditional notion of making art imitate life. In their endeavors to demonstrate their elegant and refined taste to their peers, the privileged American patrons, both male and female, associated Northeast Asian products such as artwork and silk clothing with refinement and elegance, and utilized them as the perfect instruments for signifying their class and wealth.
In my article entitled “The Asianization of the American Feminine Ideal, 1876-1914” published in 2001, I examined these paintings within the context of Orientalism and Japonism. The female figures in these images represented the American feminine ideal in the conservative patriarchal society during this period of the women’s rights movement, and displayed stereotypical characteristics corresponding to the popularized image of the quiet, subservient, and passive Japanese woman.
Following the previous study, this article attempts an in-depth examination of the socio-cultural meaning and underlying codes of the Northeast Asian fashion utilized in these portrayals. In interpreting the complex meaning of the Asian fashion, I discuss several unifying elements related to the privileged and affluent classes of the American Gilded Age: the upper and upper-middle c1ass elitism, women’s love for luxurious Chinese/Japanese garments, Thorstein Veblen’s theory of the leisure class, the Aesthetic movement proselytized by James McNeill Whistler and Oscar Wilde, and the women’s dress reform movement and the adoption of Asian fashion.
As discussed in this article, these works illustrate the contemporary aestheticist philosophy of making life imitate art, and art imitate art-an idea opposed to the traditional notion of making art imitate life. In their endeavors to demonstrate their elegant and refined taste to their peers, the privileged American patrons, both male and female, associated Northeast Asian products such as artwork and silk clothing with refinement and elegance, and utilized them as the perfect instruments for signifying their class and wealth.
목차
Ⅰ. 머리말
Ⅱ. ‘예술품으로서의 여성’과 동북아 예술
Ⅲ. 예술을 모방하는 삶
Ⅳ. 여성의복 개혁운동과 동북아 패션
Ⅴ. 맺음말
참고문헌
Abstract
「20세기 초 미국미술의 동북아시아 여성 패션 읽기」에 대한 질의(김혜주)
참고문헌 (15)
참고문헌 신청
[학술지(정기간행물)] - / 2003. / After Whistler: The Artist and His Influence on American Painting
[학술지(정기간행물)] - / 1987. / Idea and Ideals in Cultural History
[학술지(정기간행물)] - / 1990. / New Ideas from Dead Economists An Instroduction to Modern Economic Thought
[학술지(정기간행물)] - / 2003 / Reforming Womens Fashion, 1850-1920: Politics, Health, and Art
[학술지(정기간행물)] - / 1999. / Ladies of Labor, Girls of Adventure: Working Women, Popular Culture, and Labor Politics at the Turn of the Twentieth Century
[학술지(정기간행물)] - / 1987. / Idea and Ideals in Cultural History
[학술지(정기간행물)] - / 1990. / New Ideas from Dead Economists An Instroduction to Modern Economic Thought
[학술지(정기간행물)] - / 2003 / Reforming Womens Fashion, 1850-1920: Politics, Health, and Art
[학술지(정기간행물)] - / 1999. / Ladies of Labor, Girls of Adventure: Working Women, Popular Culture, and Labor Politics at the Turn of the Twentieth Century
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UCI(KEPA) : I410-ECN-0101-2009-609-017290639