지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
I can say that 'Xiezhen', 'Xiesheng' is an equivalent term for reality in Chinese Painting. There words are the technique terminology that has been used from ancient times.
In contrast, the term 'Xieshi' is the term which has appeared in modern period in accordance with the contact with the western civilization and I can say that the term has a very different meaning in its occurrence and usage.
In other words, 'Xieshi has started as a translated term for the Western realism, and this term had been widely used in Japan which succeeded in modernization earlier than in China.
Consequently, this term is the translated term of the Western concept, and includes not only the entire process of the modernization of the Chinese Painting, but also it can be said that the process of development is an important concept in understanding the context of the history of modern Chinese Painting. Along with it, I am going to survey Xubiehong's realism who is called the founder of the modem realism in the Chinese Painting, and to investigate what effect and problem to generated in the formation of the problem it generated in the formation of the main stream of the Modern Chinese Painting, and along with this, I am going to perceive how it has been transformed in the establishment of communized China.
The realism in China was accommodated pursuant to the demand of the age from literary revolution to art revolution, with the current of the new cultural movement.
The realism of the Western 19 century based on the social reformism first exerted a leading capability in abolishing the old custom of the Chinese traditional society.
Along with this, the manifestation of the spirit of reality continued as the most preferential Practice in doing away with the evil practices of traditional Literati Painting. This realism is that aimed at social reform and has been disseminated Luzheng and Chenduxiu. Unlike this, the realism insisted by Xubiehong who has been in France for study, later on exerted a strong influence in "art for art's sake" in connection with the direct technique of painting.
Xubiehong's realism was aimed at negotiating the method of the Western realism in the Chinese art. In contrast with this standpoint. The realism upheld by the standpoint of social reform comes to be adopted as a method of the left ideological movement.
The painting of the left-affiliated realism in the establishment of the communized new China in different from Xubiehong's painting of realism, and comes to be settled in the mainstream, but it reveals the difference of mutually different method. After all, the painting of social realism has newly changed its contents and form in accordance with political demand. And we came to face the age in which the term realism is replaced by 'Xianshizhuyi'.
After being communized, Xianshizhuyi painting is a product corresponding to the theory of national literature and art, and exists "the art for life" serving farmers, soldiers, and laborers. Accordingly, the painting of Xubiehong's realism has provided the main stream step for a new age, but its negotiated attempt at the further practical method comes to be discolored and to be pushed out. The process of development of realism has started from the movement of modernization and settled as Xianshizhuyi under the idea of realism, and so we can know that, regarding the scope of application of the term, and the term was divided into realism and Xianshizhuyi before and after the start of People's Republic of China and came to be used.
In contrast, the term 'Xieshi' is the term which has appeared in modern period in accordance with the contact with the western civilization and I can say that the term has a very different meaning in its occurrence and usage.
In other words, 'Xieshi has started as a translated term for the Western realism, and this term had been widely used in Japan which succeeded in modernization earlier than in China.
Consequently, this term is the translated term of the Western concept, and includes not only the entire process of the modernization of the Chinese Painting, but also it can be said that the process of development is an important concept in understanding the context of the history of modern Chinese Painting. Along with it, I am going to survey Xubiehong's realism who is called the founder of the modem realism in the Chinese Painting, and to investigate what effect and problem to generated in the formation of the problem it generated in the formation of the main stream of the Modern Chinese Painting, and along with this, I am going to perceive how it has been transformed in the establishment of communized China.
The realism in China was accommodated pursuant to the demand of the age from literary revolution to art revolution, with the current of the new cultural movement.
The realism of the Western 19 century based on the social reformism first exerted a leading capability in abolishing the old custom of the Chinese traditional society.
Along with this, the manifestation of the spirit of reality continued as the most preferential Practice in doing away with the evil practices of traditional Literati Painting. This realism is that aimed at social reform and has been disseminated Luzheng and Chenduxiu. Unlike this, the realism insisted by Xubiehong who has been in France for study, later on exerted a strong influence in "art for art's sake" in connection with the direct technique of painting.
Xubiehong's realism was aimed at negotiating the method of the Western realism in the Chinese art. In contrast with this standpoint. The realism upheld by the standpoint of social reform comes to be adopted as a method of the left ideological movement.
The painting of the left-affiliated realism in the establishment of the communized new China in different from Xubiehong's painting of realism, and comes to be settled in the mainstream, but it reveals the difference of mutually different method. After all, the painting of social realism has newly changed its contents and form in accordance with political demand. And we came to face the age in which the term realism is replaced by 'Xianshizhuyi'.
After being communized, Xianshizhuyi painting is a product corresponding to the theory of national literature and art, and exists "the art for life" serving farmers, soldiers, and laborers. Accordingly, the painting of Xubiehong's realism has provided the main stream step for a new age, but its negotiated attempt at the further practical method comes to be discolored and to be pushed out. The process of development of realism has started from the movement of modernization and settled as Xianshizhuyi under the idea of realism, and so we can know that, regarding the scope of application of the term, and the term was divided into realism and Xianshizhuyi before and after the start of People's Republic of China and came to be used.
목차
근대회화에 있어서 사실
미술혁명과 徐悲鴻의 사실주의
사실주의에서 현실주의로
참고문헌
Abstract
「중국 근대회화의 사실주의와 사실(1919-1957)」에 대한 질의
정형민 선생님의 질의에 대한 답변
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
‘리얼리즘’ 미술
한국근현대미술사학
2011 .12
-
20세기 무용예술에서의 리얼리즘 경향과 표현
무용예술학연구
2014 .01
-
초기 사실주의 연기양식의 형성과정 고찰 -‘앙트완느’에서 ‘스타니슬랍스키’까지(1870-1905)
한국연극학
2009 .01
-
연출가 이해랑의 사실주의 연극 인식에 관한 일고찰
한국연극학
2019 .01
-
북한 미술에서 리얼리즘 개념의 변화와 ‘전형론’
현대미술사연구
2019 .12
-
정적 리얼리즘: 린 램지(Lynne Ramsay)의 영화
현대영화연구
2011 .01
-
‘현실주의’ 화가 쉬베이훙(徐悲鴻)
한국근현대미술사학
2015 .12
-
삽화저널 『그래픽』 작품을 중심으로 본 영국미술에서의 리얼리즘
미술사논단
2009 .06
-
웹툰적 리얼리즘에 관한 탐색적 연구
영상기술연구
2017 .06
-
김광진의 사실주의(Realism) 조각과 리얼리티 연구
인물미술사학
2007 .12
-
주사총(周思聰)의 작품세계
조형예술학연구
2005 .01
-
1960-70년대 북한 ‘주체 사실주의’ 회화의 인물 전형성 연구
한국근현대미술사학
2008 .12
-
吳作人(1908~1997)의 생애와 작품 연구 : 油畵를 중심으로
미술사연구
2018 .12
-
3D 애니메이션의 리얼리즘 반영 연구
한국디자인학회 국제학술대회 논문집
2007 .10
-
회화의 위기, 회화의 대안
미술이론과 현장
2004 .01
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-650-017298372