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초록· 키워드
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Kim Su-Young and Kim Choon-Soo were the key contributors in the establishment of the theory of modern Korean poetry. The two poets had a negative stance on the traditional form and value of Korean poetry. In or-der for the modern Korean poetry to achieve an authentic modernity, they infused their whole selves in the two aspects; creativity and theory. In addition, they have asserted the theory of achieving aesthetic 'freedom' in the writing of modern poetry. Their theory was significant in the sense that they have pursued to maximize the poetic freedom in the modern poetry. The key words and creative methodology presented by these two poets which are the principal factors of the modern poetry, still play a pivotal role in the Korean modern poetry.
However, the specific direction of these two poets on modern aesthetics was different. While Kim Su-Young's poetry centered on modernity and freedom, Kim Choon-Soo's poetry deeply searched for the poetry language and image. Although the concept of 'meaningless poet' was first introduced by Kim Choon-Soo, Kim Su-Young likewise attained a considerable under-standing on the functions of language and issues of the 'meaningless poetry'. Therefore, the theory of Kim Su-Young and Kim Choon-Soo sur-rounding the concept of 'meaningless' could be the chain to explain the relativity and distinction between the two theories of poetry.
This study examines the 'meaningless' poetics by comparing the poetries of Kim Su-Young and Kim Choon-Soo; the mainstreams of the theory of poetry in the 1960-70s. This research analyzes the function and the effect of poetic language in the poetry of these two poets and furthermore examines how these theories are reflected in their overall poetries. The study also reveals the specific aesthetic methodology of 'poetic freedom' used in the poetics of these two poets. In conclusion, the research identifies which theories of these two poets contributed to the establishment of the modern Korean poetry and how they have touched the 'esthetic modernity' in the modern Korean literature. The research found that the two poets have at-tempted the freedom of poetics through different aesthetic methodology and have highly contributed to the consciousness of the esthetic modernity in the Korean poetry.
However, the specific direction of these two poets on modern aesthetics was different. While Kim Su-Young's poetry centered on modernity and freedom, Kim Choon-Soo's poetry deeply searched for the poetry language and image. Although the concept of 'meaningless poet' was first introduced by Kim Choon-Soo, Kim Su-Young likewise attained a considerable under-standing on the functions of language and issues of the 'meaningless poetry'. Therefore, the theory of Kim Su-Young and Kim Choon-Soo sur-rounding the concept of 'meaningless' could be the chain to explain the relativity and distinction between the two theories of poetry.
This study examines the 'meaningless' poetics by comparing the poetries of Kim Su-Young and Kim Choon-Soo; the mainstreams of the theory of poetry in the 1960-70s. This research analyzes the function and the effect of poetic language in the poetry of these two poets and furthermore examines how these theories are reflected in their overall poetries. The study also reveals the specific aesthetic methodology of 'poetic freedom' used in the poetics of these two poets. In conclusion, the research identifies which theories of these two poets contributed to the establishment of the modern Korean poetry and how they have touched the 'esthetic modernity' in the modern Korean literature. The research found that the two poets have at-tempted the freedom of poetics through different aesthetic methodology and have highly contributed to the consciousness of the esthetic modernity in the Korean poetry.
목차
1. 김수영과 김춘수 시론의 현대성
2. 김수영 시론과 ‘의미와 무의미의 변증법’
3. 김춘수 시론의 ‘무의미’와 그 허무
4. 현대시의 자율성과 억압 없는 언어의 꿈
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2009-811-014734736