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자료유형
학술저널
저자정보
저널정보
한국어문학회 어문학 語文學 第101輯
발행연도
2008.9
수록면
303 - 332 (30page)

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This article explores the ethnic identity of new generation of Korean writers in Japan. For this, I’m going to comparison Kaneshiro Kazuki’s Go with Hee Sung Lee’s Fulling Woman. As a result, the following conclusions could be obtained.
First, a new generation literature has one or two generations of the main features of literary succession for the nation-state, but that did not exist, a new voice recognition to the existing difference.
Secondly, as an act of betraying national recognition for naturalization had an open view of the show.
Thirdly, the most sensitive issues regarding national identity and one of mixed race was held vision for the show.
Fourth, the perception of ethnic discrimination byeonhwada. Japan’s ethnic Koreans in the existing literature through a manifestation of ethnic discrimination that used to require corrective focusing on. However, such as when you go against Japan’s anger over discrimination at all, rather than through a strategy that ignores ethnic discrimination exceeding done by the Japanese.
When you go through the same way as' ethnic Koreans' Literacy for all to reject the stereotype. Their ‘free-age children just’ going through regulatory action figures of the Free City of Literature, including 1,2-generation ethnic Koreans differs from their own ethnic identity, composed of ethnic identity. South Korea and Japan, where it is not even arrest 'needs korean Japanese a self-declaration.

목차

1. 머리말
2. 민족에서 재일로의 방향 전환
3. 국민국가(한국(조선)/일본)에 대한 인식의 차이
4. 맺음말
참고문헌
[Abstract]

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