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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2006.11
- 수록면
- 183 - 239 (57page)
- DOI
- 10.17068/lhc.2006.11.9.2.183
이용수
초록· 키워드
오류제보하기
In the first half 1920s, imperialist Japan decided to put administrative propaganda first to eliminate severe resistance by people of Joseon following the '3ㆍ1 Independence Movement' and escape from its international isolation. In relation to the move, 'Joseon Information Committee(朝鮮情報委員會)' was established. Consisting of high-ranking officials of the Japanese government-general in Joseon and influential civilians, the committee collected information about the national movement by people of Joseon and international situations and deliberated and controlled ways of administrative propaganda.
The purpose of administrative propaganda by Joseon Information Committee was to inform situations of Joseon and Japan and works by the Japanese government-general in Joseon. Notably, the committee used the most advanced medium, film as a main means of the propaganda. Propaganda films were records that showed situations of Joseon, Japan and Manchuria, the recent state of Japanese imperial families, the visit of national guests, customs of Joseon and industrial developments of Joseon and Japan. As a whole, the films propagated key slogans of so-called 'cultural politics' of imperialist Japan, assimilation into Japan and the civilization of Joseon.
The main audiences of propaganda using film were people of Joseon and Japan. If viewers of propaganda films were people of Joseon, the films had the ultimate goal of eliminating the people's will to national independence and making them submit to Japanese colonial rule. While, if their audiences were Japanese people, propaganda films had the ultimate purpose of receiving more budgets from the home government and attracting Japanese business investment and Japanese immigrants by inciting Japanese civilians advance to the colonial land. Propaganda films faced some resistance because of problems like forced audience mobilization and their themes. Nevertheless, they greatly impacted people of Joseon, having considerable effects of information. Though given favorable responses superficially, propaganda films actually had no such good effects on Japanese because of lack in propagandistic workers or agencies and too many regions to be propagated. No matter how its conflicting effects were, however, the use of propaganda film by imperialist Japan as a means of colonial rule shows the very nature of so-called 'cultural politics' of the Japanese colonial period.
The purpose of administrative propaganda by Joseon Information Committee was to inform situations of Joseon and Japan and works by the Japanese government-general in Joseon. Notably, the committee used the most advanced medium, film as a main means of the propaganda. Propaganda films were records that showed situations of Joseon, Japan and Manchuria, the recent state of Japanese imperial families, the visit of national guests, customs of Joseon and industrial developments of Joseon and Japan. As a whole, the films propagated key slogans of so-called 'cultural politics' of imperialist Japan, assimilation into Japan and the civilization of Joseon.
The main audiences of propaganda using film were people of Joseon and Japan. If viewers of propaganda films were people of Joseon, the films had the ultimate goal of eliminating the people's will to national independence and making them submit to Japanese colonial rule. While, if their audiences were Japanese people, propaganda films had the ultimate purpose of receiving more budgets from the home government and attracting Japanese business investment and Japanese immigrants by inciting Japanese civilians advance to the colonial land. Propaganda films faced some resistance because of problems like forced audience mobilization and their themes. Nevertheless, they greatly impacted people of Joseon, having considerable effects of information. Though given favorable responses superficially, propaganda films actually had no such good effects on Japanese because of lack in propagandistic workers or agencies and too many regions to be propagated. No matter how its conflicting effects were, however, the use of propaganda film by imperialist Japan as a means of colonial rule shows the very nature of so-called 'cultural politics' of the Japanese colonial period.
목차
1. 머리말
2. 조선정보위원회와 선전영화
3. 선전영화의 상영과 반응
4. 맺음말
〈별표〉
(Abstract)
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