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자료유형
학술저널
저자정보
저널정보
경성대학교 인문과학연구소 인문학논총 인문과학논총 제10집
발행연도
2005.8
수록면
1 - 21 (21page)

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Brian Friel was so conscious of criticism on his Translations which denounces it as a nationalistic play that he wrote intendedly The Communication Cord to shake off the criticism that targets him as a narrow nationalist. The setting of The Communication Cord is in 1980's, whereas that of Translations is in 1830's. Therefore the time gap between the two plays is 150 years.
In the contemporary postcolonial Ireland, cultural phenomena are closely related with political situations in particular, among other social contexts. So Friel puts emphasis on the need for establishing new nationalism to overcome the confusions of language and culture in the neo-colonial period.
This study aims to survey The Communication Cord in terms of the viewpoint of postcolonialism. First of all, this study examined the confusions of language and identity in postcolonial Northern Ireland, which has still belonged to English sovereignty. Secondly, this study focused on the need for creation of a new culture with hybridity to solve different attitudes of the new and old generation toward their own cultural heritage. Lastly, I discussed aspects of Friel's nationalism different from traditional one in Ireland, and his insistence of the need for new nationalism that pursuits the hybridity and reappropriation to overcome the limit of traditional nationalism.
The change from the tragedy of Translations to the farce of The Communication Cord makes us conclude that Friel doesn't regard the present Ireland situation as hopeless one, instead he urges the Irish to try to appropriate them positively and hopefully.

목차

Ⅰ. 서론
Ⅱ. 언어의 정체성의 문제
Ⅲ. 재전유를 통한 혼성적 문화 창조
Ⅳ. 전통적 민족주의 해체를 통한 재정립
Ⅴ. 결론
Bibliography
〈Abstract〉

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