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This writing investigated his literary art theory laying stress on ‘irony’ and ‘allegory’ concept from the point of literary theory’s proposition and practical aspect as one method that approach in Benjamin’s thought constellation. This writing examined special quality of ‘German romanticism criticism’ ‘criticism of art’ on the viewpoint of literary theory proposition, and examined special quality of ‘art philosophy criticism’ ‘condition and function of allegory’ on the viewpoint of literary practical critic.
Special quality of Benjamin’s ‘german romanticism criticism’ is formed laying stress on ‘reflection’ ‘form’ ‘irony’ concept. ‘Criticism of art’ is “action that recognize target who fill within reflection intermediate”. Benjamin says “theory of romanticism for work of art says by a single word theory of the form”. As Benjamin states above Schlegel’s irony concept, he thinks that formal irony destroys particular form of work of art, but relative oneness of individual work is bumped with relative oneness of universal work, and form connection.
Benjamin describes special quality of ‘criticism of art’ laying stress on ‘idea’ ‘concept’ ‘phenomenon’ ‘source’ concept. Intermediation that divides ‘phenomenon’ and participates in genuine oneness of ‘truth’ is ‘concept’. ‘Idea’ takes constellation circumstances that ‘phenomenons’ is arranged by particular way. Special quality of ‘source’ mean that recognize peculiar historic phenomenon that creates and disappears together with the warrior and successor
Benjamin’s ‘art philosophy criticism’ is formed laying stress on concept of ‘sovereignty theory’ ‘comment and criticism’ ‘melancholy’. About ‘sovereignty theory’, Benjamin regards that God’s violence is requested, in order to come genuine exception condition in current striping life that exception condition and ordinary state are undistinguishable. Benjamin’s critical viewpoint is that we can reach contents ‘criticism’ of ‘truth contents’ through ‘comment’ of ‘fact contents’. Concept that mediate character’s inside and mind historical tendency in age is ‘melancholy’.
Benjamin describes about ‘fall’ ‘antinomy’ ‘gap’ ‘fragments’ as ‘condition of allegory’. Monarch’s ‘fall’ expresses falling natural history death through emblem of skeleton in baroque tragedy, and express human’s original history since original sin furthermore. A imagination of totality disappears, and allegory that have ambivalence contains ‘antinomy’. ‘Inconsistency of shape and meaning’ is deformed by ‘gap of character and sound’ ‘gap of speech and article’, and is involved ‘fragments of language’ as baroque tragedy’s allegory structure.
Benjamin describes about ‘magic’ ‘modification’ ‘reversal’ as ‘function of allegory’. Benjamin refers to ‘restoration of ancient remnants’ ‘relativity with Gods’ as strong motif of allegory. Important element of this is ‘magic nature’ and that it have ‘diagram of modification’. From function of ‘reversal’ of ‘magic modification’, we can thick that ‘allegory’ is representation form that Schlegel’s formal irony Benjamin investigated in German early romanticism theory is extended of baroque age’s historic?spiritual layer.
Special quality of Benjamin’s ‘german romanticism criticism’ is formed laying stress on ‘reflection’ ‘form’ ‘irony’ concept. ‘Criticism of art’ is “action that recognize target who fill within reflection intermediate”. Benjamin says “theory of romanticism for work of art says by a single word theory of the form”. As Benjamin states above Schlegel’s irony concept, he thinks that formal irony destroys particular form of work of art, but relative oneness of individual work is bumped with relative oneness of universal work, and form connection.
Benjamin describes special quality of ‘criticism of art’ laying stress on ‘idea’ ‘concept’ ‘phenomenon’ ‘source’ concept. Intermediation that divides ‘phenomenon’ and participates in genuine oneness of ‘truth’ is ‘concept’. ‘Idea’ takes constellation circumstances that ‘phenomenons’ is arranged by particular way. Special quality of ‘source’ mean that recognize peculiar historic phenomenon that creates and disappears together with the warrior and successor
Benjamin’s ‘art philosophy criticism’ is formed laying stress on concept of ‘sovereignty theory’ ‘comment and criticism’ ‘melancholy’. About ‘sovereignty theory’, Benjamin regards that God’s violence is requested, in order to come genuine exception condition in current striping life that exception condition and ordinary state are undistinguishable. Benjamin’s critical viewpoint is that we can reach contents ‘criticism’ of ‘truth contents’ through ‘comment’ of ‘fact contents’. Concept that mediate character’s inside and mind historical tendency in age is ‘melancholy’.
Benjamin describes about ‘fall’ ‘antinomy’ ‘gap’ ‘fragments’ as ‘condition of allegory’. Monarch’s ‘fall’ expresses falling natural history death through emblem of skeleton in baroque tragedy, and express human’s original history since original sin furthermore. A imagination of totality disappears, and allegory that have ambivalence contains ‘antinomy’. ‘Inconsistency of shape and meaning’ is deformed by ‘gap of character and sound’ ‘gap of speech and article’, and is involved ‘fragments of language’ as baroque tragedy’s allegory structure.
Benjamin describes about ‘magic’ ‘modification’ ‘reversal’ as ‘function of allegory’. Benjamin refers to ‘restoration of ancient remnants’ ‘relativity with Gods’ as strong motif of allegory. Important element of this is ‘magic nature’ and that it have ‘diagram of modification’. From function of ‘reversal’ of ‘magic modification’, we can thick that ‘allegory’ is representation form that Schlegel’s formal irony Benjamin investigated in German early romanticism theory is extended of baroque age’s historic?spiritual layer.
목차
1. 문제 제기
2. 벤야민 문예이론의 기본 전제
3. 벤야민 문예이론의 실제 양상
4. 맺음말
【참고문헌】
【Abstract】
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