지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2003.12
- 수록면
- 873 - 900 (28page)
이용수
초록· 키워드
오류제보하기
The purpose of this article is to investigate the maternal fantasies and the female repression by the male subject in Othello in light of Freudian psychoanalytic feminism.
Focusing on the psychoanalytic feminists who are interested in the maternal fantasies which have a great influence on male subject constitution, I am to analyze the maternal fantasies and the female repression in Othello.
Through Othello's fantasy, he conflates Desdemona with maternity. Making himself susceptible to Desdemona's maternal love, Othello undermines the basis of his martial identity. He tends to depend on her. In addition, Othello makes Desdemona the idealized center of his being, leaving his martial identity behind.
Owing to Iago's trick, Othello reveals his serious conflict between his intense desire for the fusion with the woman he has idealized as a nurturant source of his being, and also his equally intense conviction that their sharing sexual love has contaminated her and destroyed her perfection. Othello desires Desdemona to mirror him as the idealized pure mother.
The handkerchief, a simultaneous symbolic code of the maternal loss and the martial consummation fuses Desdemona with the mother already lost to Othello. It requires Desdemona's body as a counterpart to his mother's.
Through Othello's sexual imagination that love is equivalent to death, Othello willingly substitutes death for union in order to escape from unbearable tension. His sexual imagination tends toward the stasis of death not only as the epitome of self loss in the symbiotic union with a maternal figure but also as a way of keeping both the object perfect, and the imagined moment of consummation lasted.
In the end, Othello resumes his masculinity through his idealization and objectification of Desdemona's body. Othello shows tragic consequences for the woman forced to participate in the male fantasies against her will. Desdemona can exist only through the male subject' fantasies.
In conclusion, shakespearean drama deals with the maternal fantasies and female repression by the male subject in his own ways. All this results from the male subject' anxious unconscious upon which the construction of the male subject depends.
Focusing on the psychoanalytic feminists who are interested in the maternal fantasies which have a great influence on male subject constitution, I am to analyze the maternal fantasies and the female repression in Othello.
Through Othello's fantasy, he conflates Desdemona with maternity. Making himself susceptible to Desdemona's maternal love, Othello undermines the basis of his martial identity. He tends to depend on her. In addition, Othello makes Desdemona the idealized center of his being, leaving his martial identity behind.
Owing to Iago's trick, Othello reveals his serious conflict between his intense desire for the fusion with the woman he has idealized as a nurturant source of his being, and also his equally intense conviction that their sharing sexual love has contaminated her and destroyed her perfection. Othello desires Desdemona to mirror him as the idealized pure mother.
The handkerchief, a simultaneous symbolic code of the maternal loss and the martial consummation fuses Desdemona with the mother already lost to Othello. It requires Desdemona's body as a counterpart to his mother's.
Through Othello's sexual imagination that love is equivalent to death, Othello willingly substitutes death for union in order to escape from unbearable tension. His sexual imagination tends toward the stasis of death not only as the epitome of self loss in the symbiotic union with a maternal figure but also as a way of keeping both the object perfect, and the imagined moment of consummation lasted.
In the end, Othello resumes his masculinity through his idealization and objectification of Desdemona's body. Othello shows tragic consequences for the woman forced to participate in the male fantasies against her will. Desdemona can exist only through the male subject' fantasies.
In conclusion, shakespearean drama deals with the maternal fantasies and female repression by the male subject in his own ways. All this results from the male subject' anxious unconscious upon which the construction of the male subject depends.
목차
등록된 정보가 없습니다.
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
Othello : 종족차별을 초월한 Desdemona의 전복적 결혼
Shakespeare Review
1998 .06
-
『오델로』의 텍스트와 주체의 욕망 또는 비극 Ⅱ : 텍스트에서 의미로
Shakespeare Review
2001 .03
-
『오셀로』의 비극적 요인: 타인종에 대한 편견
영어영문학연구
2009 .01
-
Othello의 비극적 사랑
Shakespeare Review
1987 .08
-
도덕극 인물로 이아고, 데스데모나, 오셀로 읽기
Shakespeare Review
2001 .12
-
Othello에 나타난 사랑
Shakespeare Review
1989 .08
-
오셀로에 나타난 정의의 아이러니
영어영문학
2020 .08
-
“오 내 아름다운 전사여” : 『오셀로』속 여성과 군대
Shakespeare Review
2015 .06
-
탈식민적 자아 형성 : 『북쪽으로 이주의 계절』, 『지금은 안돼, 사랑스런 데스데모나』를 통해본 셰익스피어의 『오델로』텍스트의 전유
Shakespeare Review
2002 .03
-
『오셀로』에 나타난 사랑의 양태
Shakespeare Review
2014 .06
-
“왜 그녀를 창녀라고 부르는 거죠?” : 새로 쓰는 『오셀로』, 폴라 보겔의 『데스데모나 : 손수건에 대한 극』
Shakespeare Review
2005 .09
-
인종차별주의적 관점에서 본 오셀로(Othello)의 손수건
Shakespeare Review
2017 .12
-
비너스의 무어인 오델로(Othello, the Moor of Venus) : 격정의 탄생과 바다
Shakespeare Review
2017 .06
-
오셀로의 타자성
Shakespeare Review
2016 .03
-
Othello의 비극세계
Shakespeare Review
1984 .08
-
『오델로』의 텍스트와 주체의 욕망 또는 비극(Ⅰ) : 아든 2ㆍ3 판 4막 2장 65행의 'Ⅰ'와 'Ay'
Shakespeare Review
2000 .09
-
오셀로와 이야고 : 추리소설 작가 아가서 크리스티의 눈을 통하여
Shakespeare Review
2003 .12
-
Othello에서 惡意의 展開에 대한 考察
코기토
1979 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
“오 내 아름다운 전사여” : 『오셀로』속 여성과 군대
서동하
Shakespeare Review
2015
.06
「오셀로」의 두 세계 : 자연과 문화의 충돌과 인종차별의 보이지 않는 손
윤희억
Shakespeare Review
2012
.03
Othello : 종족차별을 초월한 Desdemona의 전복적 결혼
채유슌
Shakespeare Review
1998
.06
『로미오와 줄리엣』에 나타난 사랑의 자기애적 구조
김희라
Shakespeare Review
2003
.06
King Lear : 자아확장의 비전
성기서
인문과학연구
1996
.06
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2010-840-003100484