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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2009.12
- 수록면
- 206 - 227 (22page)
이용수
초록· 키워드
오류제보하기
In the 1960s and 1970s Korea at last became a member of the international community through the rapid national economic growth. As the underdevelopment country suffered from the tragic Korean War, it is characteristic that the nation’s industrialization had been towed by oppressive but efficient military government leadership. By going through a five-year plan for economic development plan, a lot of monuments were erected at the site of construction and land reclamation to commemorate the steel-like laborer’s courage and remember the historic moment. These monuments are the symbolic visual representation reflecting the people’s desire for the utopian future compensating for the past and present misery.
At that time from 1960s to 1970s, huge amounts of public monuments were built on the public sphere in Korea like as the statues of historic heros, war memorials or battle monuments, with which the industrial monuments take possession of the important parts of the Korean public art for enlightening people. On the contrary the former monuments are relevance to the nation’s historic identity, industrial monuments were concerned to the people’s practical life and vision. Industrial monuments of progress usually consist of the architectural tower, statues and relieves, at that time abstract geometric monument means the progress vision for future and the manly statues of laborer represents the reformed people apt to the moral required by the efficiently growing nation.
Citing several notable examples like Pusan Monument or Ulsan Industrial Monument, this thesis analyzed that who makes the industrial monument, what it consist of, and what is the effect to the public in the korean industrialization era. I examined that these public monuments representing utopian vision might be the role of statemobilization to oppress or discipline the people as well as the symbol of the pride of nation’s unprecedented rapid progress. And I will raise a question that these past ostentatious public art would be still appropriate at the post-industrialization era.
At that time from 1960s to 1970s, huge amounts of public monuments were built on the public sphere in Korea like as the statues of historic heros, war memorials or battle monuments, with which the industrial monuments take possession of the important parts of the Korean public art for enlightening people. On the contrary the former monuments are relevance to the nation’s historic identity, industrial monuments were concerned to the people’s practical life and vision. Industrial monuments of progress usually consist of the architectural tower, statues and relieves, at that time abstract geometric monument means the progress vision for future and the manly statues of laborer represents the reformed people apt to the moral required by the efficiently growing nation.
Citing several notable examples like Pusan Monument or Ulsan Industrial Monument, this thesis analyzed that who makes the industrial monument, what it consist of, and what is the effect to the public in the korean industrialization era. I examined that these public monuments representing utopian vision might be the role of statemobilization to oppress or discipline the people as well as the symbol of the pride of nation’s unprecedented rapid progress. And I will raise a question that these past ostentatious public art would be still appropriate at the post-industrialization era.
#산업 모뉴먼트
#산업근대화와 공공표상
#공보사진
#〈울산 공업기념탑〉
#〈부산직할시 승격기념탑〉
#〈민족의 전진〉 조각분수
#산업역군의 이미지
#국민신체의 훈육
#국민동원과 참여
#『포름 A』
#Industrial Monument
#Public art in Korea
#Reform of Humanity
#Official Photography
#Ulsan Industrial Monument
#a Laborer of Construction
#Body and Discipline
#Politics of Body
#State Mobilization
#Forum A
목차
Ⅰ. 서론
Ⅱ. 경제발전의 금자탑 : 부산의 ‘부산직할시 승격 기념탑’과 울산의 ‘공업기념탑’
Ⅲ. ‘조국 근대화’를 위한 국민의 개조
Ⅳ. 국가의 규율과 신체의 정치학
Ⅴ. 산업화의 기념과 노스탤지어
참고문헌
Abstract
참고문헌 (44)
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UCI(KEPA) : I410-ECN-0101-2014-600-000668692