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자료유형
학술저널
저자정보
강희원 (Kyunghee University)
저널정보
한국동서비교문학학회 동서비교문학저널 동서비교문학저널 제32호
발행연도
2015.4
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29 - 58 (30page)

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This essay examines how the community can confront the rupture within itself and how the poet can trigger off the process of confrontation on the basis of a close reading of William Wordsworth’s “The Thorn” and Chang-dong Lee’s film, Poetry. The close reading is preceded by the brief reflection of Franz Kafka’s “The Community” and Sigmund Freud’s account of the mythical primal horde in Totem and Taboo. This offers a preliminary clue to what is at stake in “The Thorn” and Poetry, that is, the supplementary relationship between the community and the other expelled from it. The reading of “The Thorn” focuses primarily on the villagers’ effort to establish their community as a field of totality and sameness by keeping Martha at a proper distance. It is the firm barrier erected between the village community and Martha that the narrator, as a version of the Wordsworthian poet, makes problematic by inscribing Martha’s cry within the community’s story. Lee’s Poetry shows us how Mi-ja begins to develop her interest in poetry and finally writes one poem by the end of the month-long course. The important point to retain here is that the process of writing a poem is intimately bound up with the process of confronting with Hee-jin as an absolute exception to the community. This is why this essay, with regard to Poetry, attempts to explore the poet’s mysterious position of reporting or transmitting to the community some of the crazy nonsense or resistance to meaning.

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