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논문 기본 정보

자료유형
학술저널
저자정보
Kim, Yugon (성균관대학교)
저널정보
새한영어영문학회 새한영어영문학 새한영어영문학 제58권 제2호
발행연도
2016.5
수록면
107 - 128 (22page)

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초록· 키워드

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This paper examines Geoffrey Chaucer’s feminist imagination, focusing on how his female characters involve in challenging stereotyped gender depictions. Since the 1980s, many scholars have discussed Chaucer from a feminist perspective, suggesting that he was a protofeminist poet whose vivid representation of women was meant to defy patriarchal gender relations held in the fourteenth-century courtly society of England. The scholars, however, focus mostly on Chaucer’s mature work such as The Canterbury Tales, and implicitly claim that women are not a major subject of his early work. While gender issues are central to his poetic imagination, his early dream visions such as The Book of the Duchess, The Parliament of Fowls, and Troilus and Criseyde did not garner much critical attention in relation to his feminist literary practice. In this respect, this paper traces Chaucer’s development of his early female characters by showing how they change from ghosts to human subjects, from voiceless objects to eloquent narrators.

목차

Ⅰ. Introduction
Ⅱ. Blanche or the Voiceless Woman
Ⅲ. Women’s Symbolic Presence
Ⅳ. Women’s “Gret Desir”
Ⅳ. Conclusion
Works Cited

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UCI(KEPA) : I410-ECN-0101-2017-840-000735674