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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
동국대학교 영어권문화연구소 영어권문화연구 영어권문화연구 제12권 제1호
발행연도
2019.1
수록면
181 - 211 (31page)

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Bram Stoker's Dracula is a creature with “many monstrous traits packed into one” (Halberstam 334), but due to his technological illiteracy and lacking adaptability to London's enmeshed networks, Dracula becomes the hunted rather than the hunter. This paper investigates how Dracula's neglect in updating his mode(s) of being in accordance to his urban surroundings, his less than observant attitude towards the workings of London's networks, and the urban networks which the “band of light” utilizes to the fullest, conspire against Dracula. Previous scholars have paid attention to the very modern elements that appear in the text, but have focused more on the activities of the “band of light,” leaving the vampire's own failures in the shadows. Putting Dracula back on the center stage, I argue that Dracula's bungling actions in the city emphatically reconfigures London as a super-human entity equipped with forces—human and non-human—that can trump the supernatural force of its unwelcome guest. Dracula fails to verse himself in the ways of the modern city or in using the telecommunicative networks the city has to offer to his advantage. This failure cause Dracula to lose the superior footing over his hunters. Entangled in London's information system, reduced to a spectacle that can be traced and caught, Dracula has no other option but to retreat.

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