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논문 기본 정보

자료유형
학술저널
저자정보
Peter W. Milne (Seoul National University)
저널정보
한국미학회 美學(미학) 美學(미학) 제86권 제4호
발행연도
2020.1
수록면
137 - 172 (36page)

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While Lyotard’s interest in the sublime is well known, his later investigations of the beautiful are much less so. In part this has to do with his own changing views toward the beautiful as an aesthetic category, which in much of his best-known writings is aligned with representation and thus with Classicism and the Enlightenment. Nonetheless, in the final decade of his life, Lyotard reveals a new interest in the beautiful, placing it alongside the sublime and what he calls, following Freud, “unconscious affect.” In these works, the beautiful appears to take on another relevance, and may even help us to begin to take the full measure of the “philosophy of the affect” that Lyotard seems to be largely engaged in during many of his last writings. This essay is an attempt to begin this process by giving a detailed reading of some of these texts, both published and unpublished, in order, on the one hand, to show how the beautiful comes to be counted alongside the sublime and unconscious affect, and on the other, to make some suggestions about how it differs from them and thus complicates Lyotard’s late account of affectivity. This new status of the beautiful appears most clearly in an essay devoted to the Kantian judgment of taste entitled “Sensus Communis,” and in various passages in one of Lyotard’s most prolonged engagements with Kant, the Lecons sur l’Analytique du sublime. I try here to elucidate the main contours of this argument in terms of the split Lyotard introduces in Kant’s sensus communis: a communis that is formed not by any shared sensibility but by the “voices” of the faculties themselves; and the sentiment of beauty as a sensus that exceeds not only the faculties of knowledge and action but even the conscious subject itself. As with the later conception of the sublime and unconscious affect, the beautiful here appears as a very specific “temporal crisis” that undoes the temporalization of the subject. In this sense, it is consistent with other readings of the affect in this stage of Lyotard’s writings. Nonetheless, it also differs in that it is time in statu nascendi, in the state of birth, and as a result I argue that it seems to figure a certain promise that is absent in both the sublime and unconscious affect, even if that promise that is always to come.
#Jean-Francois Lyotard #Immanuel Kant #the beautiful #sensus communis #the affect #time/temporality

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참고문헌 (24)

참고문헌 신청
Bennington, Geoffrey / 2008 / Late Lyotard / CreateSpace google schola Deleuze, Gilles / 1995 / Kant’s Critical Philosophy: The Doctrine of the Faculties / Athlone google schola Derrida, Jacques / 1987 / The Truth in Painting / University of Chicago Press google schola Guyer, Paul / 1987 / Kant and the Claims of Knowledge / Cambridge University Press google schola Heidegger, Martin / 1997 / Kant and the Problem of Metaphysics / Indiana University Press google schola

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