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자료유형
학술저널
저자정보
Hongsheng Sui (Zhejiang University)
저널정보
한국영어영문학회 영어영문학 영어영문학 제67권 제2호
발행연도
2021.1
수록면
327 - 335 (9page)

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초록· 키워드

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Victorian novelist, biographer, and short fiction writer, Elizabeth Gaskell(1810-1865), occupies a rightful place in the canon of British literature and, especially in the latter half of the 20th century, much critical energy has been exerted by scholars critiquing her oeuvre. Like her progenitors, Jane Austin and the Brontë sisters, Gaskell may also be framed as an early pioneer promulgating quietly feminist responses to social conditions changing around her. The Victorian writer’s work intently critiques a morphing English landscape bearing the brunt of industrialization, and upon which performances of nationhood, class, and gender were playing out. Lizhen’s monograph The Angel and the Dove is a richly generative survey of Elizabeth Gaskell’s varied excursions into examinations of gender ideology and female consciousness. Based on deep close readings of narrative structures in play within three texts (Cranford, North and South, and Wives and Daughters), Chen’s monograph delivers a penetrating analysis of Gaskell’s position on the place of females in the discourse of power relations in Victorian England. As Chen asserts, “With a plain but valid narrative concept, contradicted but wise political horizon, stable but graceful narrative capacity, tender but principled moral concern, conservative but flamboyant spirit, critical but self-reflective tone, Gaskell wins recognition and still appeals to contemporary readers” (138-39). And so it seems, for, perhaps more than ever, feminist discourses remain not only entirely necessary, but must continue to explore the gamut of possible rhetorical strategies when speaking back to phallogocentric power.

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