메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
문정희 (한국미술연구소)
저널정보
한국미술연구소 미술사논단 美術史論壇 제53호
발행연도
2021.12
수록면
83 - 100 (18page)
DOI
10.14380/AHF.2021.53.83

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
With the Handover of Hong Kong in 1997, China announced the principle of “one country, two systems” and demanded the democratic government of Taiwan to follow their “one China” campaign. As Taiwan’s political attitude toward China swayed between “anti-China” and “unification,” the cultural exchange between the two countries was repetitively paused and resumed as well. After the re-election of the Kuomintang in 2008, various plans regarding art exchanges between government offices were made in line with the concept of “Cross-Strait relations (Mainland– Taiwan relations).” By 2009, the National Taiwan Museum of Fine Arts (Taizhong) and the National Art Museum of China (Bejing) were considered as equivalents of each other, and thus, they sought to promote active exchanges of Contemporary art within themselves. As for the Taipei Palace Museum, they consistently promoted the exchange with the Mainland in the academic sphere, and later broaden it into exhibitions. In particular, the Special Exhibition Landscape Reunited: Huang Gongwang and “Dwelling in the Fuchun Mountains ” at the Taipei Palace Museum held in 2011 was an event planned as a way to unify the Cross and the Strait through this encounter of artworks while being free from any conflict of political ideology. The exhibited collections of the National Palace Museum not only represented the national identity but also were the model of “Symbiosis” as “Taiwan of China,” and thereby, the exhibition could be regarded as an attempt to reconstruct the identity of Taiwan and China as a united country. Therefore, this paper aims to examine the pattern of the antagonistic conflict between unification and independence revealed in art exchanges between China and Taiwan in the context of Sinocentrism.

목차

Ⅰ. 머리말
Ⅱ. ‘양안’의 미술교류
Ⅲ. 역사의 재구 ‘합벽(合壁)’
Ⅳ. 맺음말
참고문헌
ABSTRACT

참고문헌 (0)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0