지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The purpose of research of this thesis is to compare the 'Kunak', the last music of 'Kwanak YoungsanHeosang', which has been transmitted by The National Center for Korean Traditional Performing Arts, with 'Byolgok Taryong', the last music of Mingan Daempoongryu, so to find out common points and different points between them. The author referred to 'Korean Traditional Music', published by The National Center for Korean Traditional Performing Arts, 'Piri Jongak' written by Kim Ki Su and Seo Han Bum, 'Folk Music References' written by Ji Young Hee, and 'Piri Gyobon' and 'Haegum Gyobon', text books of Seoul Traditional Art high school. And in order to make it easier to compare the melody, the author transferred the tone of Byolgoktaryong of Mingan Daempoongryu by 3 do, so that it became the same tone of Kunak of Kwanak YoungsanHeosang. Also, the author made one time standard, divided one time into 4 bak, and regarded each bak as sambunbak. In this method, the author compared chapter-dividing structure, melody, sigimse, and mainly appearing notes.
The author could gain conclusions as follows.
1. Comparison of chapter-dividing structure.
Comparing the structure of Kunak of Kwanak YoungsanHeosang with that of Byolgok Taryong, the fact is discovered that Kunak is made up of 48 gak composing 4 chapters and Byolgok is made up of 43 gak composing 4 chapters, so they have common points in that they are composed of 4 chapters, but they show the difference in the number of gak by 5 gak. It is due to the fact that because the 1st gak thru 3rd gak of the first scene of Kunak belong to Taryongjo, the former music, they are excluded in Byolgok, and in the Guionmasung part of the 3rd scene of Kunak, Piri pauses for 2 gak, but in Byolgok, it does not pause, so that it makes 5 gak differences as a whole. Also, there are many differences in the method that divides the chapters.
2. Comparison of melody and Sigimse
Comparing the Kunak of Kwanak YoungsanHeosang with Byolgok Taryong in the melody and sigimse, they are in common generally except for partially detailed tune and sigimse related to th special method of playing of Piri and Haegum.
3. Comparison of Mainly appearing notes
Comparing the Kunak of Kwanak YoungsanHeosang with Byolgok Taryong in mainly appearing notes, The mainly appearing notes that are performed actually are in common except for the marking difference on the score which is marked as Hwang(潢) but being played as Ung(應) in the actual performance.
Like these conclusions, Kunak of Kwanak YoungsanHeosang and Byolgok Taryong are the same music with the exception of extremely detailed parts. Nonetheless, the reason why there are some differences in the method of chapter-dividing or sigimse is largely because they have been transmitted in the different way.
The author could gain conclusions as follows.
1. Comparison of chapter-dividing structure.
Comparing the structure of Kunak of Kwanak YoungsanHeosang with that of Byolgok Taryong, the fact is discovered that Kunak is made up of 48 gak composing 4 chapters and Byolgok is made up of 43 gak composing 4 chapters, so they have common points in that they are composed of 4 chapters, but they show the difference in the number of gak by 5 gak. It is due to the fact that because the 1st gak thru 3rd gak of the first scene of Kunak belong to Taryongjo, the former music, they are excluded in Byolgok, and in the Guionmasung part of the 3rd scene of Kunak, Piri pauses for 2 gak, but in Byolgok, it does not pause, so that it makes 5 gak differences as a whole. Also, there are many differences in the method that divides the chapters.
2. Comparison of melody and Sigimse
Comparing the Kunak of Kwanak YoungsanHeosang with Byolgok Taryong in the melody and sigimse, they are in common generally except for partially detailed tune and sigimse related to th special method of playing of Piri and Haegum.
3. Comparison of Mainly appearing notes
Comparing the Kunak of Kwanak YoungsanHeosang with Byolgok Taryong in mainly appearing notes, The mainly appearing notes that are performed actually are in common except for the marking difference on the score which is marked as Hwang(潢) but being played as Ung(應) in the actual performance.
Like these conclusions, Kunak of Kwanak YoungsanHeosang and Byolgok Taryong are the same music with the exception of extremely detailed parts. Nonetheless, the reason why there are some differences in the method of chapter-dividing or sigimse is largely because they have been transmitted in the different way.
목차
Ⅰ. 머리말
Ⅱ. 군악과 별곡의 분장구조
Ⅲ. 군악과 별곡의 선율 및 시김새 비교
Ⅳ. 주요 출현음 비교
Ⅴ. 맺음말
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UCI(KEPA) : I410-ECN-0101-2009-679-016571162