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자료유형
학술저널
저자정보
저널정보
한국영화학회 영화연구 영화연구 19호
발행연도
2002.8
수록면
171 - 190 (20page)

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초록· 키워드

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In 1975, the war in Vietnam finally ended and the era of American New Cinema which had come in the 1960s had also declined. While Steven Spielberg's films like 〈Jaws〉(75), 〈Raiders of the lost Ark〉 (81), 〈E.T.〉(82), 〈Indiana Johns〉 (84) and George Lucas's films like 'Star Wars Triology'(〈Star Wars〉(77), 〈The Empire Strikes Back〉(80), 〈Return of the Jedi〉(83)) were all box office hits. All of them had obtained box office profits of more than 100,000,000 dollars, With the success of box office Hollywood entered the period of the Blockbuster movie. 111e periods of classical Hollywood cinema, experiments and movements ended and Hollywood's major film companies changed their focus. The blockbuster became the new in-thing.
At that time, U.S. society was experiencing some of their biggest troubles in their history since World War Ⅱ. This was the 1970s, liberalism and the major movements of the sixties(Feminism, Black Radicalism, Student Rebellions) came to be rejected and conservatism came to life again. Conservative forces would mount a decade-long counterattack against New Deal liberalism and New Left radicalism that would culminate in the election of Ronald Reagan to the presidency in 1980.
Under the leadership of Ronald Reagan, the revived conservative social movements managed to turn back many of the liberal social gains of the preceding fifty years. While the new conservatism came to dominate U.S. society, Hollywood films all came under the influence of that conservatism. During that period, Hollywood turned right wing. Above all, it created the ideology of the Hollywood blockbuster. As a result, there exist blockbusters which deal with militarism, racism, patriarchism, and imperialism in Hollywood.

목차

1. 들어가는 말
2. 새로운 변화
3. 산업적인 측면에서의 돌파구, 블록버스터
4. 레이건 시대
5. 스티븐 스필버그와 조지 루카스
6. 블록버스터의 이데올로기: 〈스타워즈〉 시리즈의 경우
7. 맺는 말
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