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The paper has been conducted to understand Hee-jae Yu's ideas for the beauty of calligraphy in 『Seo-gae』.
Hee-jae Yu(1813~1881) was a government officer, an educator and a calligrapher in the end of Ching dynasty when Western culture was introduced in earnest.
『Seo-gae』 is consisted of 246 short compositions with the history of calligraphy, reviews on works and authors, and discussions on the ideas of creativity. It also explains the system on the beauty of calligraphy very accurately. The system on the beauty of calligraphy in 『Seo-gae』 is divided by four categories which are 'Yib-sang-jin-eui' for the principle of esthetics, 'Gwan-mulㆍGwan-ah' and 'Yeo-cheon-wee-doㆍYeo-go-wee-do' for the principles and methods of learning, and 'Jo-ho-ja-yeon' for the principle of creativity.
The ideas for the beauty of calligraphy by Hee-jae Yu that the study has understood are summarized as follows.
First, what Hee-jae Yu tried to explain the beauty of calligraphy through 'Yib-sang-jin-eui' was that the essence of calligraphy is creating the art of subjectivity which expresses the mind of an author.
Second, Hee-jae Yu's ideas in 'Gwan-mulㆍGwan-ah' have been developed from the thoughts of Ong, ChaeㆍGwa-jeong, SonㆍHoi-gwan, Chang and Yang-bing, Lee on the relations between calligraphy and the nature. Here, the derive of "I" was emphasized even more by Hee-jae Yu.
Third, it is considered that 'Jo-eoh nature' and 'Jo-ho nature' both signify the nature with artificiality which a main interest of 'I' is additionally involved. The nature with artificiality in this idea is distinguished from the original nature.
Fourth, the terms, 'Yeo-cheon-wee-do' and 'Yeo-go-wee-do' emphasize each of 'Sa-beob nature' and 'newly revising the old laws'. Any works of calligraphy are created by mixing both of the ideas into a personality of an author and the spirit of the times.
Hee-jae Yu underlined not only the justice which is an independent sense of creativity, but also the neutralized view of beauty that pursues 'Ui-beob-sang-seong'. Such idea of his is shown in the composition on thoughts in one's mind where the ideas for the beauty of calligraphy is generally dealt with. Since Hee-jae Yu, a government officer and an educator who placed high value on Confucianism, lived in the era which mourned for corruption of the dynasty and experienced spirits of the people at the same time, he was able to fully comprehend that calligraphy was 'the art of subjectivity' that expresses individuals' feelings, and the existence of deep-rooted neutralized thoughts in Chinese culture.
Hee-jae Yu(1813~1881) was a government officer, an educator and a calligrapher in the end of Ching dynasty when Western culture was introduced in earnest.
『Seo-gae』 is consisted of 246 short compositions with the history of calligraphy, reviews on works and authors, and discussions on the ideas of creativity. It also explains the system on the beauty of calligraphy very accurately. The system on the beauty of calligraphy in 『Seo-gae』 is divided by four categories which are 'Yib-sang-jin-eui' for the principle of esthetics, 'Gwan-mulㆍGwan-ah' and 'Yeo-cheon-wee-doㆍYeo-go-wee-do' for the principles and methods of learning, and 'Jo-ho-ja-yeon' for the principle of creativity.
The ideas for the beauty of calligraphy by Hee-jae Yu that the study has understood are summarized as follows.
First, what Hee-jae Yu tried to explain the beauty of calligraphy through 'Yib-sang-jin-eui' was that the essence of calligraphy is creating the art of subjectivity which expresses the mind of an author.
Second, Hee-jae Yu's ideas in 'Gwan-mulㆍGwan-ah' have been developed from the thoughts of Ong, ChaeㆍGwa-jeong, SonㆍHoi-gwan, Chang and Yang-bing, Lee on the relations between calligraphy and the nature. Here, the derive of "I" was emphasized even more by Hee-jae Yu.
Third, it is considered that 'Jo-eoh nature' and 'Jo-ho nature' both signify the nature with artificiality which a main interest of 'I' is additionally involved. The nature with artificiality in this idea is distinguished from the original nature.
Fourth, the terms, 'Yeo-cheon-wee-do' and 'Yeo-go-wee-do' emphasize each of 'Sa-beob nature' and 'newly revising the old laws'. Any works of calligraphy are created by mixing both of the ideas into a personality of an author and the spirit of the times.
Hee-jae Yu underlined not only the justice which is an independent sense of creativity, but also the neutralized view of beauty that pursues 'Ui-beob-sang-seong'. Such idea of his is shown in the composition on thoughts in one's mind where the ideas for the beauty of calligraphy is generally dealt with. Since Hee-jae Yu, a government officer and an educator who placed high value on Confucianism, lived in the era which mourned for corruption of the dynasty and experienced spirits of the people at the same time, he was able to fully comprehend that calligraphy was 'the art of subjectivity' that expresses individuals' feelings, and the existence of deep-rooted neutralized thoughts in Chinese culture.
목차
Ⅰ. 머리말
Ⅱ. 立象盡意
Ⅲ. 觀物ㆍ觀我
Ⅳ. 造乎自然
Ⅴ. 맺음말
〈Abstract〉
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