지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The function of Korean and Japanese rice planting song is praying to the God of paddy for the well harvest and reducing the pain of labor related planting rice. But in the case of Korea, There is nothing paper especially for the ritual quality. So, the aim of this paper is to research the ritual quality of Korean rice planting song comparing with Japanese’s. The purpose of comparison with Japan’s rice planting song specially in the area of Joo-koku, near the Hirosima is that there are some equal qualities of singing and text composing methods.
At first, I prepared the assumption related structure of rice planting song with the time of physical and ritual, and there two times are divided but not separated and are united in the texts of rice planting songs. In other words, the texts of these songs are basically composed with ritual time and real time-the labor time. This assumption was verified with the procedure of performance of songs in turn.
Ritual quality is composed in the orders of reception, amusement, and sending off the God. But the last order is not appeared because for the good harvest always the God is needed in the paddy from spring to fall. In stead of last order, There is another order related sunset. Farmers feel the uncertainty of life with the sunset and sing about that. And at the same time, they think about dead and separated with their family and also feel the fear and they sing a song about sexual song to conquer fear and uncertainty. This performance means that human wants revival and also they symbolize that little rice which is planted in paddy grow up healthy so get a abundant grain. These orders and structure of texts are similar with Japanese rice planting song. But in the case of Japanese, The texts are composed closely by the ritual especially in the point of God of paddy. Korean paddy God is Dragon and Japanese God is ‘Sanbai’-this name is equal with leading singer’s-. So we have to recognize that Korean songs are symbolized with ritual. But on the surface of texts there are more sexual and amusable contents than ritual.
In this paper, I only treated rice planting song in Yung-Nam province. But If we scale up the texts regarding rice songs, we could get more ritual quality. This ritual quality can give us informations about the contents of texts. So we can understand why these words are used and how these texts perform in the real time. These are very important things that how can Korean farming songs get a competitive power in the world and how can we develop and transmit our traditional farming songs. Ritual quality in traditional farming songs is not on the surface but live under the texts and performance.
At first, I prepared the assumption related structure of rice planting song with the time of physical and ritual, and there two times are divided but not separated and are united in the texts of rice planting songs. In other words, the texts of these songs are basically composed with ritual time and real time-the labor time. This assumption was verified with the procedure of performance of songs in turn.
Ritual quality is composed in the orders of reception, amusement, and sending off the God. But the last order is not appeared because for the good harvest always the God is needed in the paddy from spring to fall. In stead of last order, There is another order related sunset. Farmers feel the uncertainty of life with the sunset and sing about that. And at the same time, they think about dead and separated with their family and also feel the fear and they sing a song about sexual song to conquer fear and uncertainty. This performance means that human wants revival and also they symbolize that little rice which is planted in paddy grow up healthy so get a abundant grain. These orders and structure of texts are similar with Japanese rice planting song. But in the case of Japanese, The texts are composed closely by the ritual especially in the point of God of paddy. Korean paddy God is Dragon and Japanese God is ‘Sanbai’-this name is equal with leading singer’s-. So we have to recognize that Korean songs are symbolized with ritual. But on the surface of texts there are more sexual and amusable contents than ritual.
In this paper, I only treated rice planting song in Yung-Nam province. But If we scale up the texts regarding rice songs, we could get more ritual quality. This ritual quality can give us informations about the contents of texts. So we can understand why these words are used and how these texts perform in the real time. These are very important things that how can Korean farming songs get a competitive power in the world and how can we develop and transmit our traditional farming songs. Ritual quality in traditional farming songs is not on the surface but live under the texts and performance.
목차
Ⅰ. 서론
Ⅱ. 모심는 작업의 제의적 접근
Ⅲ. 〈모심는소리〉의 제의적 단계와 특성
Ⅳ. 결론
〈참고문헌〉
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