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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 미술사연구회 미술사연구 미술사연구 제39호
- 발행연도
- 2020.12
- 수록면
- 35 - 60 (26page)
- DOI
- 10.52799/JAH.2020.12.39.35
이용수
초록· 키워드
오류제보하기
A wide array of reliquaries was found when the Five-story Stone Pagoda of Muryangsa Temple in Buyeo-gun, Chungcheongnam-do Province was dismantled for repairs in 1971. Among them were five Buddhist sculptures that were stolen in 1989. Some of these were returned to the temple in 2001 and others in 2017, thus enabling in-depth study of these sculptures. This paper proposes production and enshrinement dates for four of the sculptures and offers suggestions for the characteristics of enshrining Buddhist sculptures inside pagodas during the hypothesized periods.
To clarify the enshrinement status, the paper first reconstructed the dismantling and repair process of the Five-story Stone Pagoda of Muryangsa Temple and identified where each reliquary was placed inside the pagoda. When the dismantling and repair process was reconstructed, it was revealed that the reliquaries must have been enshrined either when the pagoda was constructed or when it was repaired. Through a stylistic comparison with Gilt-bronze Seated Amitabha Buddha Triad and Gilt-bronze Seated Bodhisattva, the paper dates them to the early Goryeo period and the fifteenth century, during the Joseon Dynasty.
Since no additional records on repairs or written prayers have been found inside the Five-story Stone Pagoda of Muryangsa Temple, it is difficult to define the objectives of the repair of the pagoda or the enshrinement of the reliquaries. However, by dating the Buddhist sculptures enshrined within the pagoda, this paper shows that it was repaired in the fifteenth century. It also examines Buddhist events held at Muryangsa Temple, including the engraving of various Buddhist scripture woodblocks. Moreover, by researching the patrons who participated in the Buddhist events, the paper presumes that the Muryangsa pagoda was repaired in the fifteenth century when the Buddhist sculptures were enshrined inside. It further relates the objectives of enshrining the Buddhist sculptures inside the Muryangsa pagoda to the spread of the faith that Geumgangsan Mountain was a Buddha Land where Dharmodgata Bodhisattva resided and to patronage from the Joseon royal family.
To clarify the enshrinement status, the paper first reconstructed the dismantling and repair process of the Five-story Stone Pagoda of Muryangsa Temple and identified where each reliquary was placed inside the pagoda. When the dismantling and repair process was reconstructed, it was revealed that the reliquaries must have been enshrined either when the pagoda was constructed or when it was repaired. Through a stylistic comparison with Gilt-bronze Seated Amitabha Buddha Triad and Gilt-bronze Seated Bodhisattva, the paper dates them to the early Goryeo period and the fifteenth century, during the Joseon Dynasty.
Since no additional records on repairs or written prayers have been found inside the Five-story Stone Pagoda of Muryangsa Temple, it is difficult to define the objectives of the repair of the pagoda or the enshrinement of the reliquaries. However, by dating the Buddhist sculptures enshrined within the pagoda, this paper shows that it was repaired in the fifteenth century. It also examines Buddhist events held at Muryangsa Temple, including the engraving of various Buddhist scripture woodblocks. Moreover, by researching the patrons who participated in the Buddhist events, the paper presumes that the Muryangsa pagoda was repaired in the fifteenth century when the Buddhist sculptures were enshrined inside. It further relates the objectives of enshrining the Buddhist sculptures inside the Muryangsa pagoda to the spread of the faith that Geumgangsan Mountain was a Buddha Land where Dharmodgata Bodhisattva resided and to patronage from the Joseon royal family.
목차
Ⅰ. 머리말
Ⅱ. 부여 무량사 오층석탑의 수리 경과와 불상의 발견
Ⅲ. 부여 무량사 오층석탑 사리장엄 및 불상의 특징
Ⅳ. 부여 무량사 오층석탑 석탑 불상 봉안의 배경
Ⅴ. 맺음말
참고문헌
〈Abstract〉
참고문헌 (30)
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