지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Today, poems of Yang Mu 楊牧(1940-2020) are receiving new light and praise from numerous poets and scholars. The reason may be that his poetry has innovative ideas and high perfection of art that will make a huge difference in the existing modern Chinese poetry. In an era of the unprecedented crisis in humanities, his poetry opens up the possibility of new modern poetry as a “game changer.” For the challenge of such a possibility, “Manuscript in a Bottle 瓶中稿(1974)” replaces longing for home with phrases and lines reminiscent of the rhythm and sound of waves, proving that content and form are organically interactive. In “Hawk of the Mind 心之鷹(1992),” it uggests what poetry is as a symbol of hawk, which inferred the birth and extinction of a poem through the sympathy between the hawks and the poetic speaker. In particular, when the poetic speaker and the hawk meet to form unity and suggest the birth of the poem, the form of the poem is completely unified with the content.
The “dramatic monologue” featuring poetic speakers has become a major feature of Yang Mu’s poetry. In “Symbol象徵(1996),” “dramatic monologue” is influenced by Chinese classics that value lyricism along with Western modernity, and the poem is completed through the reader’s reasoning and imagination because universal truth and symbols are implied. Thus, in this poem, ‘symbol’ is not to find specific and objective intermediates facing the reality of life, but to discover the fundamental relationships hidden behind them. Various poetic speakers are also appearing in Yang Mu’s poetry, both historical and fictional characters found around the world. There are quite a few attempts to title animals or insects, but most of them are talked about by poetic speakers, and they rarely become poetic speakers themselves. However, “Rabbits兔 (1997)” raises profound issues such as the love that humans agonize over, the decline of life, the truth, and artistic pursuit through the conversation between the male rabbit and the female rabbit. As we have seen above, it is not easy to define Yang Mu’s poetry in one word. Perhaps his poetry was stored on the beach like ‘Manuscript in a Bottle’ and later discovered by someone else, so he wants to continue his story.
The “dramatic monologue” featuring poetic speakers has become a major feature of Yang Mu’s poetry. In “Symbol象徵(1996),” “dramatic monologue” is influenced by Chinese classics that value lyricism along with Western modernity, and the poem is completed through the reader’s reasoning and imagination because universal truth and symbols are implied. Thus, in this poem, ‘symbol’ is not to find specific and objective intermediates facing the reality of life, but to discover the fundamental relationships hidden behind them. Various poetic speakers are also appearing in Yang Mu’s poetry, both historical and fictional characters found around the world. There are quite a few attempts to title animals or insects, but most of them are talked about by poetic speakers, and they rarely become poetic speakers themselves. However, “Rabbits兔 (1997)” raises profound issues such as the love that humans agonize over, the decline of life, the truth, and artistic pursuit through the conversation between the male rabbit and the female rabbit. As we have seen above, it is not easy to define Yang Mu’s poetry in one word. Perhaps his poetry was stored on the beach like ‘Manuscript in a Bottle’ and later discovered by someone else, so he wants to continue his story.
목차
1. 들어가는 말
2. 형식과 내용의 유기적 상호작용
3. 극적 독백과 다양한 시적 화자
4. 나오는 말
參考文獻
Abstract
참고문헌 (31)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
楊牧 후기 詩의 심미특질 연구
중국문화연구
2018 .02
-
‘葉珊’ 시기 楊牧의 시 연구
중국문화연구
2017 .05
-
대만 모더니즘시 운동과 성취에 대한 재조명
중국문화연구
2019 .08
-
<애프터 양> 속 기억 연대와 포스트휴먼 공동체의 가능성 연구
영어영문학연구
2024 .09
-
试论杨朱其人及其籍贯生平
중국어문학
2019 .01
-
교과서에 기술된 양명학의 실태 분석 및 개선을 위한 제언 - 고등학교 『윤리와 사상』 교과서를 중심으로 -
양명학
2020 .03
-
穆旦 詩의 윤리 의식과 참회 정신
중국어문논총
2017 .01
-
제주방언의 담화표지어 ‘양’에 대한 연구
언어과학연구
2019 .06
-
우주의 시학과 기독교적 인류애 : 양명문의 후기 시세계 연구
비평문학
2016 .09
-
음양과 오행의 상관성 - 주돈이ㆍ주희 이론 중심의 기하학적 고찰 -
퇴계학보
2021 .12
-
조선 성리학자들의 양명학에 대한 비판적 인식 검토(4) - 박세채의 ｢왕양명학변｣을 중심으로 -
유학연구
2020 .01
-
조선시대의 자료에 나타난 중국어 일모(日母)의 변화 양상
언어학
2019 .12
-
김준오 『시론』의 판형별 변화 양상 연구 -초판(1982)에서 4판(1997)까지를 중심으로
한국문학논총
2024 .08
-
梁柱東과 梁啓超의 詩와 詩論의 관련 양상
세계문학비교연구
2016 .12
-
왕양명(王陽明)의 정체성 찾기와 제사(濟事)의 유학 정립
인문과 예술
2019 .01
-
양경우의 시관(詩觀) 연구 - 『제호시화』에 사용한 비평용어를 중심으로
열린정신 인문학연구
2024 .12
-
왕양명의 초상과 폐병, 그리고 측달지심(惻怛之心)의 관련성 시론(試論)
퇴계학논집
2019 .01
-
강화양명학 국제학술대회 분석을 통해본 하곡학 연구 현황과 전망
유학연구
2019 .01
-
조선 성리학자들의 양명학에 대한 비판적 인식 검토(2) - ‘柳希春’과 ‘柳成龍’을 중심으로 -
양명학
2019 .06
-
백제 무왕대의 건축물 조영과 정국변화
백제학보
2018 .01
이 논문의 저자 정보
최근 본 자료
댓글(0)
0