지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This research focused on analyzing the textiles from the Gilt-bronze seated Bhaisajyaguru(Medicine Buddha) Statue in the Janggoksa Temple to examine the textile formation, production method and characteristics of pattern expression.
The sacred objects are total of 46 pieces classified into 60 different types. These sacred objects include 1 piece of incense pouch, 1 piece of norigae, which is a Korean traditional ornament worn by women, 1 piece of dedicatory prayer, 4 pieces of textiles attached on the dedicatory prayer, 6 pieces of textile used for wrapping a silver sarira case, 26 pieces of textile scraps from the Goryeo Dynasty and 7 pieces of textile scraps from the Joseon Dynasty.
The textile used for wrapping a silver sarira case was a size of 45cm and there were 7 different kinds of silk. The dedicatory prayer was made out of red tabby silk and was a width of 48cm and length of 1,058cm. The unique part about this dedicatory prayer was that the original prayer itself and red tabby silk, which consisted of the inscription of those names who avidly prayed, had very high quality textile pieces attached on top, such as twill damask, twill with supplementary silver thread, twill with supplementary gold thread, and gauze. This indicates that those who are included in the dedicatory prayer were wealthy and powerful people.
The norigae, which was discovered for the very first time, used different colors of 22 Jikgeum(gold woven silk) those were extremely detailed and colorfully decorated in embroidery and gold foil. In reference to Jikgeum incense pouch and norigae, we could look into the dazzling accessories culture of Goryeo Dynasty’s women.
The types of silk fabrics vary into cho(thin tabby silk), gyeon(tabby silk), ju(tabby silk), la(complex gauze), sa(simple gauze), mu-meung-neung(non patterned twill), meung-neung(patterned twill), jikgeum(weave with supplementary gold wefts) and janghwa(brocade) and their weaving quality is excellent as well. Especially, the most decorative one is jikgeum textile and 22 of them were found which was the most found in a single fabrics in the Buddhist. The structure of jikgeum is various from gold thread, jikgeumneung, to jikgeum-janghwa and had the double pattern style of inscribing pattern on the base and decorating the pattern once more with gold thread. Gold thread used was mostly flat gold thread which is versatile in application so had different types of gold thread used on one fabric or even wove with both gold thread and silver thread combined. The base paper used for Jikgeum found to be a paper made in Goryeo and the jikgeum pattern is much more simplified and miniaturized comparing to the pattern in Chinese jikgeum.
One piece of dan was found among the types of textiles. The single clothing refers to a textile woven satin. This one has a significant historical meaning since it is the earliest single clothing found in Korea.
The pattern method of textile could be divided into the regularly patterned methods of Topjamun and Mixed Spread pattern. Especially, the regularly patterned methods of Geumtopja and Untopja were most prevalent and while Topjamun from the Yuan Dynasty had a pattern style with more than two different types of comparably large and complicated patterns, Topjamun from the Goryeo Dynasty consists of a single, simplified pattern. There is also a huge difference in the size of a unit design as Topjamun from the Yuan Dynasty has a size within 15cm in the width and length, Geumtopjamun from the Goryeo Dynasty has an average width and length size within 2cm. The pattern subjects of Geumtopjamun were antelope, dragon, pomegranate, butterf ly, small f lower, and lingzhi mushroom. The antelope or djeran pattern style in Topjamun was seen for the first time in Korea, and was influenced from Sogd and later polished into much more simplified and miniaturized Goryeo style of pattern.
The textiles from the Gilt-bronze seated Bhaisajyaguru Statue in the Janggoksa Temple were found in various types and favorable condition. Moreover, a great amount of high quality silk fabrics is included which could be very valuable artifacts to understand the Goryeo’s outstanding dyeing culture. Through this, it is not difficult to assume how dashing and grand the attire culture was in the past.
The sacred objects are total of 46 pieces classified into 60 different types. These sacred objects include 1 piece of incense pouch, 1 piece of norigae, which is a Korean traditional ornament worn by women, 1 piece of dedicatory prayer, 4 pieces of textiles attached on the dedicatory prayer, 6 pieces of textile used for wrapping a silver sarira case, 26 pieces of textile scraps from the Goryeo Dynasty and 7 pieces of textile scraps from the Joseon Dynasty.
The textile used for wrapping a silver sarira case was a size of 45cm and there were 7 different kinds of silk. The dedicatory prayer was made out of red tabby silk and was a width of 48cm and length of 1,058cm. The unique part about this dedicatory prayer was that the original prayer itself and red tabby silk, which consisted of the inscription of those names who avidly prayed, had very high quality textile pieces attached on top, such as twill damask, twill with supplementary silver thread, twill with supplementary gold thread, and gauze. This indicates that those who are included in the dedicatory prayer were wealthy and powerful people.
The norigae, which was discovered for the very first time, used different colors of 22 Jikgeum(gold woven silk) those were extremely detailed and colorfully decorated in embroidery and gold foil. In reference to Jikgeum incense pouch and norigae, we could look into the dazzling accessories culture of Goryeo Dynasty’s women.
The types of silk fabrics vary into cho(thin tabby silk), gyeon(tabby silk), ju(tabby silk), la(complex gauze), sa(simple gauze), mu-meung-neung(non patterned twill), meung-neung(patterned twill), jikgeum(weave with supplementary gold wefts) and janghwa(brocade) and their weaving quality is excellent as well. Especially, the most decorative one is jikgeum textile and 22 of them were found which was the most found in a single fabrics in the Buddhist. The structure of jikgeum is various from gold thread, jikgeumneung, to jikgeum-janghwa and had the double pattern style of inscribing pattern on the base and decorating the pattern once more with gold thread. Gold thread used was mostly flat gold thread which is versatile in application so had different types of gold thread used on one fabric or even wove with both gold thread and silver thread combined. The base paper used for Jikgeum found to be a paper made in Goryeo and the jikgeum pattern is much more simplified and miniaturized comparing to the pattern in Chinese jikgeum.
One piece of dan was found among the types of textiles. The single clothing refers to a textile woven satin. This one has a significant historical meaning since it is the earliest single clothing found in Korea.
The pattern method of textile could be divided into the regularly patterned methods of Topjamun and Mixed Spread pattern. Especially, the regularly patterned methods of Geumtopja and Untopja were most prevalent and while Topjamun from the Yuan Dynasty had a pattern style with more than two different types of comparably large and complicated patterns, Topjamun from the Goryeo Dynasty consists of a single, simplified pattern. There is also a huge difference in the size of a unit design as Topjamun from the Yuan Dynasty has a size within 15cm in the width and length, Geumtopjamun from the Goryeo Dynasty has an average width and length size within 2cm. The pattern subjects of Geumtopjamun were antelope, dragon, pomegranate, butterf ly, small f lower, and lingzhi mushroom. The antelope or djeran pattern style in Topjamun was seen for the first time in Korea, and was influenced from Sogd and later polished into much more simplified and miniaturized Goryeo style of pattern.
The textiles from the Gilt-bronze seated Bhaisajyaguru Statue in the Janggoksa Temple were found in various types and favorable condition. Moreover, a great amount of high quality silk fabrics is included which could be very valuable artifacts to understand the Goryeo’s outstanding dyeing culture. Through this, it is not difficult to assume how dashing and grand the attire culture was in the past.
목차
Ⅰ. 머리말
Ⅱ. 복장직물의 구성과 현황
Ⅲ. 직물의 종류와 제직특성
Ⅳ. 직물 문양의 유형과 특징
Ⅴ. 맺음말
참고문헌
〈Abstract〉
참고문헌 (26)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
대한제국기 및 일제강점기 李花紋의 변화와 宮家紋의 등장
미술사학
2020 .02
-
高麗靑瓷紋樣和造型的省思 ─從 『原型』, 『祖型』的角度
미술사학
2020 .08
-
刺繡付金 활옷의 衣制와 服色 연구
동양예술
2017 .01
-
청대 畫琺瑯 器皿에 보이는 花紋의 이슬람 요소와 그 특징
미술사학
2019 .08
-
송대(宋代) 자기(瓷器)에 보이는 영희문(嬰戱紋)의 유형과 전파
동양미술사학
2023 .02
-
조선시대 순조, 고종 년간의 자수금박 활옷에 대한 연구
동양예술
2016 .01
-
조선후기 봉황문(鳳凰紋) 청화백자를 통해 본 분원(分院)의 청화백자 제작과 화본(畫本)
미술사학연구(구 고고미술)
2020 .12
-
공민왕 전칭작들에 대한 고찰 - 양 그림 잔결과 수렵도를 중심으로 -
동악미술사학
2015 .06
-
일본 세이간지 소장 〈錦織千佛像〉의 조성경위 및 제직특성 연구
한복문화
2017 .12
-
정재 오양선에 있어서 중국의 지방문화적 요소
무용역사기록학
2020 .01
-
韓國 舊石器時代 陰刻紋의 檢討
미술문화연구
2017 .06
-
웅진 백제5왕 추모제례 제관 복식 고증
한복문화
2018 .12
-
17-18세기 유럽에 수출된 명·청대 박고문(博古紋)자기의 양상과 그 영향
미술사학연구(구 고고미술)
2022 .03
-
17~18세기 중·한·일 청화백자의 꽃문양 비교
한국도자학연구
2022 .08
-
중국 애니메이션 산업 발전 방향에 관한 연구 : 중국 경제 개발 정책에 따른 애니메이션 시장변화를 중심으로
만화애니메이션 연구
2017 .09
-
표지화조문금(縹地花鳥紋錦)의 가치와 활용 - 백제문화권 스토리텔러복을 중심으로 -
한국의상디자인학회지
2021 .06
-
동양의 미의식으로 본 아름다움의 본질 - 도가의 미의식을 중심으로 -
서예학연구
2023 .03
-
전통보문(寶紋)을 응용한 헤어 장신구 제작연구
한국인체미용예술학회지
2015 .01
-
통의동 출토 내교인(內敎印) 연구
서예학연구
2019 .01
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2016-650-002331147